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Bruce McLean

Former Curator, Indigenous Australian Art, QAGOMA

EXPANDED LABEL: 2003.023 WATSON

EXPANDED LABEL: 2003.024 2003.025 2003.026 WATSON

EXPANDED LABEL: 2017.353 GABORI

A detail view of an abstract painting made with bright pinks, oranges and teals with white and black lines.

BIOGRAPHY: Mirdidingkingathi Juwarnda Sally Gabori

ESSAY: 2018.222.001-091 ALBERT

ESSAY: Brook Andrew’s The Island V

COOK, Michael; Broken Dreams series

ESSAY: Wawiriya BURTON and Nellie Ngampa COULTHARD

BARAMBAH POTTERY

A detail view of an abstract painting made with black and white paints.

ESSAY: Gabori's Dibirdibi Country 2012

ARTLINES: 'Ngallametta's Wutan #2'

An installation view of a sculptural work that spells out the word 'DISPERSED'

ESSAY: 2013.153a-i FOLEY

ARTLINES: 'Three Ceramic Pots'

ESSAY: Kunmanara (Nellie) Stewart’s Punu wara

An installation view of a work of public art photographed on a sunny day; it takes the form of a large fishing net, cast in bronze, and it is set in front of GOMA, near the grass. It casts a net-like shadow on the concrete.

ESSAY: Judy Watson’s tow row

ESSAY: Daniel Boyd’s Untitled (HNDFWMIAFN) 2017

A detail view of a painting by Vincent Namatjira of himself and his grandfather Albert side-by-side.

ESSAY: Namatjira's Albert and Vincent 2014

Feature image: Installation view of ‘I, Object’, featuring fighting clubs c.1900, GOMA, August 2019 / Collection: QAGOMA / © The artists / Photograph: N Harth, QAGOMA

ESSAY: Fighting clubs

TJUTJUNA, Harry; Wanka (Spider)

WATKIN, Douglas; The Queen & I

THORNTON, Warwick; Stranded

ESSAY: Vernon Ah Kee’s family portraits

A photograph of QAGOMA's Collection of ku' (camp dog) sculptures

ESSAY: Ku’ (camp dogs)