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Reuben Keehan

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2007.006 2007.007 2007.008 NGUYEN

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MAHMOOD 2011.283

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ALI 2007.291 2007.292

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Khadim ALI: 'Rustam-e-pardar (Rustam with wings)' series

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WASIM 2006.042

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Kalu RAM: Cycle of Life

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© Lee Wen

APAP: From 'Japanese art' to 'art in Japan'

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ESSAY: Ozawa’s ‘Vegetable weapons’

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2018.235 ALBAIQUNI

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Risham SYED: ('Lahore' series)

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VALAMANESH 2004.187 2004.189 2004.192

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KHALID 2004.117 2004.121 2004.122

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Nusra Latif QURESHI

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TANJORE OR TRICHINOPOLY ARTIST 2021.007 2021.008

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ESSAY: Kazama’s Nonhuman crossing

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ESSAY: Tadasu Takamine’s Baby Insa-dong

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ESSAY: Michiko Kon’s unsettling photographs

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Works by (l–r) Erbossyn Meldibekov and Zico Albaiquni, installed at QAG for ‘Errant Objects’ / Purchased 2012. Queensland Art Gallery / © The artists / Photograph: N Harth, QAGOMA

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Errant Objects

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Mohammad Imran QURESHI

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Natee Utarit's 'Déjà vu' series

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ESSAY: Chim↑Pom

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ESSAY: Koizumi’s Double projection

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ESSAY: Yoneda’s ‘Scenes’

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A detail view of a work of art with a small gold flower symbol on a black background.

ESSAY: Yanagi’s Hinomaru (Rising sun)

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ESSAYS: Morimura’s alter-egos

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Feature image: An installation view of ‘Fine Lines’, QAG, March 2022 / Photograph: N Harth, QAGOMA

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DIDACTIC: ‘Fine Lines’

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Wilson SHIEH: Watercolours

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Shigeo Toya’s Woods III 1991–92, installed for ‘Inscriptions and Excavations’, GOMA, March 2024 / © Shigeo Toya / Photograph: C Callistemon, QAGOMA

DIDACTIC: Woods III: Inscriptions and Excavations

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ESSAY: Nguyen-Hatsushiba’s ‘Memorial Projects’

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ESSAY: Kashiki’s fluid compositions

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