Multidisciplinary Worimi artist and curator Genevieve Grieves engaged with the descendants of Victorian Aboriginal people featured in archival photographs from the late 1800s to recreate and interrogate the circumstances under which such images were captured. This series of animated sepia-toned portraits — of desire, warriors, mourning, family and lost children — are a haunting exploration of the interactions between photographer and sitters, of Indigenous agency, reflecting colonial expectations of Aboriginal people and their lifestyles, and challenging the integrity of the original scenarios.