Carving Country 2019–21 is a collaborative showcase of Torres Strait Islander printmaking practices. In this work, Brian Robinson and Tamika Grant-Iramu mediate a shared exploration of culture and Country, unfolding as a sprawling jacaranda tree comprised of 37 vinyl-cut panels.

Evidence of the artists’ distinct practices and carving styles, the tree is split into positive (white) and negative (black) halves. Robinson takes command of the work’s negative space, incorporating characters from popular culture alongside traditional ‘minaral’ (pattern or decoration) designs, whilst Grant-Iramu counters with ornate ‘starburst’ florals.

Across the work’s shared landscape, geometric circular designs give the appearance of blossoming or falling flowers. These floral motifs negotiate the gendered and intergenerational exchange of both artists, formed by acts of mutuality and reciprocity.