
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Painting
The prodigal son c.1780-1840
UNKNOWN
International Art | Sculpture
Spinario cast late 19th century
after School of PASITELES
Asian Art | Print
Courtesans (reprint) unknown
after EISEN
Asian Art | Sculpture
Flying horse of Kansu cast 1973
after EASTERN HAN ARTIST
International Art | Sculpture
Bust of Niccolo da Uzzano unknown
after DONATELLO
International Art | Sculpture
Borghese warrior 19th century
after AGASIUS THE EPHESIAN
Pacific Art | Fibre
Jipai (mask) 2011
AFEX, Ben
International Art | Glass
Decanter c.1875-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
Contemporary Australian Art | Installation
Blackboards with pendulums 1992
KENNEDY, Peter
International Art | Drawing
Design
ADAM, Sicander
International Art | Metalwork
Tea urn c.1770-1800
ADAM STYLE
International Art | Ceramic
Long necked vase c.1900-50
ACOMO PUEBLO
Pacific Art | Photograph
'Te Waiherehere', Koroniti, Wanganui River, 29 May 1986 1986, printed 1997
ABERHART, Laurence
Pacific Art | Photograph
Nature morte (silence), Savage Club, Wanganui, 20 February 1986 1986, printed 1999
ABERHART, Laurence
Pacific Art | Photograph
Angel over Whangape Harbour, Northland, 6 May 1982 1982, printed 1991
ABERHART, Laurence
Australian Art | Drawing
A memory of Gumeracha (study of flies) 1908
HEYSEN, Hans
Pacific Art | Print
The boxer 2009
ABEL, Patrik
June 2019
Margaret Olley was born in Lismore in 1923 before moving to Brisbane where her love for painting was nurtured by school teacher and Melbourne National Gallery School trained artist Caroline Barker. In 1942 Olley moved to Sydney and enrolled at the East Sydney Technical College (later the National Art School) where she graduated with first-class honours. Olley then spent her time travelling abroad and living between Brisbane, Newcastle and Sydney.
At the age of 10, Margaret Olley moved to Brisbane where her journey to becoming an artist began. She was a boarder from 1937 to 1940 at South Brisbane’s Somerville House for girls, where she met fellow student Margaret Cilento. In 1953 Olley returned from travelling abroad to the family home in Hill End. The old Queenslander house, Farndon, would play a pivotal role in her life, tying her to Brisbane for many years with its calm presence of high-ceilinged, generous rooms and lush subtropical garden.
Olley painted in many different styles, but was best known for her still lifes and portraits. Her lifelong love of nature found expression in exuberant paintings of flora, which charmed the public and the critics. Olley’s self-portraits track her artistic life from beginning to end as she captured her reflection in mirrors and depicts her personal possessions. As the years progressed, Olley’s physical image in her self-portraits receded into the interior spaces, with the room surpassing her reflected image in importance.
In 1990, the artist established the Margaret Olley Art Trust to donate works of art to public collections throughout Australia. Olley was an important benefactor and tremendous supporter of QAGOMA and her gift of a bronze sculpture of Dancer looking at the sole of her right foot by Edgar Degas is a lasting legacy to the people of Queensland. The exhibition highlights a selection of works she bought then generously gifted to public institutions, including pictures by European artists Paul Cezanne, Pierre Bonnard, Giorgio Morandi, Pablo Picasso, Edouard Vuillard and others.
‘Margaret Olley: A Generous Life’, on display at GOMA from 15 June to 13 October 2019, examines the legacy and influence of much-loved Australian artist, Margaret Olley (1923–2011) who spent a formative part of her career in Brisbane. Also showing at GOMA at the same time is ‘Quilty'. Australian artist Ben Quilty met Margaret Olley when she was a guest judge for the 2002 Brett Whiteley Travelling Art Scholarship, which he won. Olley then became a friend and supporter of his work, and, in 2011 sat for a portrait by Quilty which won the Archibald Prize in 2011.
1923
- 2011
Full profile
for OLLEY, Margaret
1973
- present
Full profile
for QUILTY, Ben