Born in Arnhem Land in the Northern Territory, Margaret Rarru and her sister Helen Ganalmirriwuy were taught the poetic meanings of ancient Aboriginal creation narratives by their father while they were young. The stark images of clan designs on sheets of bark and wooden memorial poles, depicted in distinctive earth pigments – red (miku), white (watharr) and yellow (buthjalak) – originate from the ritual markings painted on the bodies of Liyagawumirr people during important ceremonies. In 2006 (unusually for women at the time), they inherited the right to paint these sacred images following the death of their brother, renowned painter Mickey Durrng (c.1940–2006). The sisters’ creative approach consequently sparked a Liyagawumirr cultural revival.

Having also learnt the cultural meanings of traditional woven fibre objects, the women perfected a range of weaving processes and techniques to make sacred and utilitarian basketry. Following their discovery of a rare black vegetable dye (achieved in a secret process), the sisters developed their unique bathi mul (black baskets). Pandanus leaf strands saturated with rich colour are twined into conical forms, or coiled into solid, sculptural vessels. The woven surfaces of these forms take on a metallic gleam and display subtle textural variations within graded fields of black.

Living remotely on their island homes of Yurrwi (Milingimbi) and Langarra (Howard Island), Margaret Rarru and Helen Ganalmirriwuy have established a reputation as two of the finest and most innovative textile artists in Australia.

Feature image: Margaret Rarru / Liyagawumirr people / Australia NT b.1940 / Mindirr 2012 / Pandanus palm with natural dyes / 29x17; 32x19; 34x19; 29x17cm (clockwise l–r) / Purchased 2012 with funds from an anonymous donor through the Queensland Art Gallery Foundation / © Margaret Bilinydjan Rarru/Copyright Agency / Photograph: N Harth, QAGOMA