Kunmanara Minyintiri’s painting visualises the tracks of malu (kangaroo), papa (dogs), kalaya (emu) and the titular euro (common wallaroo) as they travel from various places across the desert, to drink at the kapi tjukula (rock holes) site portrayed in the upper middle of the artwork. He depicts this significant place that Wati (men) visit to perform inma (Songlines), which assist in the conservation of the land and its creatures. Appearing like a time-lapse of life shifting in and across this land, each line in the work represents a journey and a memory. Overlapping linework demonstrates the rhythms connecting the creatures, Pitjantjatjara ancestors and the dancers who commemorate them.

As a senior Pitjantjatjara lawman, Minyintiri was permitted to portray significant Tjukurpa (Dreamings) and inma by abstracting the content for a non-initiated audience through his dizzying compositions. Minyintiri’s work both conceals and reveals, portraying how for his people the tracks of the past, present and future exist at the same time.