Barszene (Bar scene) captures the restless energy and charged atmosphere of Berlin’s nightlife on the eve of World War One. Kirchner had moved to the cosmopolitan capital in 1911 and felt an immediate affinity with the city’s chaos and contradictions. Following the disbanding in 1913 of Die Brücke (The Bridge) – the close-knit artist group he had founded – he experienced a sense of profound isolation, describing this as ‘one of the loneliest times of my life, during which an agonising restlessness drove me out onto the streets day and night’.
With its dense cross-hatching eloquently registering the rhythms, pleasures and anxieties of the modern metropolis, Barszene is representative of Kirchner’s work during this period. Figures appear compressed within the shallow space, their angular bodies and vacant faces suggesting both seduction and estrangement. While they are shown socialising together, the prevailing sense is one of urban alienation, heightened by the drypoint’s rich burr, which intensifies contrasts of light and shadow. Kirchner’s focus here is less on social description than on subjective experience, with the bar becoming a site of fragmented human connection.