Skip to main content

Search by:
Artists Artworks Resources

Advanced search

Untitled 2015

Accession No.
2015.047
Date Created
2015
Gallery location
Not on public display
Department
Contemporary Asian Art
Dimensions A
302 x 137.3cm
Media Category
Painting
Secondary Media Category
synthetic polymer paint
Medium
Synthetic polymer paint on canvas
Place Created
Manila
Credit Line
The Kenneth and Yasuko Myer Collection of Contemporary Asian Art.
Purchased 2015 with funds from Michael Sidney Myer through the Queensland Art Gallery | Gallery of Modern Art Foundation

Maria Taniguchi emphasises the gradual and labour-intensive process involved in creating her large ‘brick’ paintings, first drawing out a grid on the canvas and then painting in one brick at a time. Despite their predetermined composition, the surfaces of these paintings are neither uniform nor static. Taniguchi achieves gradations of shade by varying the amount of water and acrylic, which is discernible as the viewer moves in front of the work. Untitled evokes the urban environment through its resemblance to the generic brick wall pattern – known in masonry terms as the ‘stretcher’ or ‘running’ bond – that forms a building’s facade.

Citations

Copy citation

Rights information

© Maria Taniguchi

Re-use metadata

Catalogue data as JSON

Share

Exhibitions featuring this object

Anida Yoeu Ali / Cambodia/USA b.1974 / The Buddhist Bug, Into the Night (still) (detail) 2015 / A project of Studio Revolt. Concept and performance: Anida Yoeu Ali; Video: Masahiro Sugano / Commissioned for APT8. The Kenneth and Yasuko Myer Collection of Contemporary Asian Art. Purchased 2015 with funds from Michael Sidney Myer through the QAGOMA Foundation / Collection: QAGOMA / © Anida Yoeu Ali

APT8

Nov 2015 - Apr 2016

Reproduction requests

Images of artworks on this website may be used for research, study and other related exceptions as defined by section 40 of the Copyright Act 1968 (as amended) without applying for specific permission. All other uses of the content of this site (where applicable).  Refer these requests to reproductions. For more information, see copyright and reproductions on the QAGOMA website.