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Four female figures; two male figures 2015

Artwork Four female figures; two male figures this artwork made of Multani clay, bamboo, wood, coir, natural colour, plant fibre, created in 2015-01-01
Accession No.
2017.023a-g
Date Created
2015
Gallery location
Not on public display
Department
Contemporary Asian Art
Dimensions A
Female figures: 27.9 x 17.7cm (each); male figures: 27.9 x 12.7cm and 33 x 17.7cm
Media Category
Sculpture
Secondary Media Category
mixed media
Medium
Multani clay, bamboo, wood, coir, natural colour, plant fibre
Place Created
India
Credit Line
Purchased 2017. Queensland Art Gallery | Gallery of Modern Art Foundation

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© Rookmani Bai

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Exhibitions featuring this object

Anida Yoeu Ali / Cambodia/USA b.1974 / The Buddhist Bug, Into the Night (still) (detail) 2015 / A project of Studio Revolt. Concept and performance: Anida Yoeu Ali; Video: Masahiro Sugano / Commissioned for APT8. The Kenneth and Yasuko Myer Collection of Contemporary Asian Art. Purchased 2015 with funds from Michael Sidney Myer through the QAGOMA Foundation / Collection: QAGOMA / © Anida Yoeu Ali

‘The 8th Asia Pacific Triennial’

Nov 2015 - Apr 2016

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Loloi 2018
Artwork Untitled (Cyborg hand) this artwork made of Hard-paste porcelain, slip-cast, fired to 1555 degrees Celsius and with clear glaze, created in 2000-01-01

Untitled (Cyborg hand) 2000

Other works from this Department

Artwork Untitled panel this artwork made of Plywood, multani clay, natural colour, created in 2015-01-01

Untitled panel 2015
Artwork Echo this artwork made of Bamboo, wire, created in 2008-01-01

Echo 2008
Artwork The people on 18 April, 1975 this artwork made of Oil on canvas, created in 1994-01-01

The people on 18 April, 1975 1994

Reproduction requests

Images of artworks on this website may be used for research, study and other related exceptions as defined by section 40 of the Copyright Act 1968 (as amended) without applying for specific permission. All other uses of the content of this site (where applicable).  Refer these requests to reproductions. For more information, see copyright and reproductions on the QAGOMA website.