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11.11 2018

Artwork 11.11 this artwork made of HD video: 60:36 minutes, colour, sound, created in 2018-01-01
Accession No.
2018.362
Date Created
2018
Gallery location
Not on public display
Department
Contemporary Asian Art
Media Category
Electronic media
Secondary Media Category
HD video
Medium
HD video: 60:36 minutes, colour, sound
Credit Line
Gift of the artist through the Queensland Art Gallery | Gallery of Modern Art Foundation 2018

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© Cao Fei

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Stories featuring this object
DIDACTIC

Cao Fei: 'Asia One' project

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Exhibitions featuring this object

Zico Albaiquni / Indonesia b.1987 / When it shook, the earth stood still (After Pirous) (detail) 2018 / Oil and synthetic polymer paint on canvas / Purchased 2018 with funds from Konfir Kabo through the Queensland Art Gallery | Gallery of Modern Art Foundation / © Zico Albaiquini

APT9

Nov 2018 - Apr 2019

Other works in this medium

Artwork Tickle this artwork made of Digital Betacam (transferred from Digital Video): 2:47 minutes, colour, sound, created in 2005-01-01

Tickle 2005

Artwork the keepers this artwork made of Single-channel HD video: 9:15 minutes, colour, stereo, 16:9, continuous loop, projection or screen Co-directors: Judy Watson, Alex Barnes / Co-producers: Judy Watson, Alex Barnes / Camera: Lasse Johansson, Alex Barnes / Camera: Lasse Johansson, Alex Barnes / Editor: Alex Barnes / Sound design: Greg Hooper, Alex Barnes / Acknowledgements: Gayle Sculthorpe, Jill Hasell, Rachael Murphy, British Museum, London, Gavin Breen Collection, Waanyi language courtesy of AIATSIS , created in 2016-01-01

the keepers 2016

Artwork The Last Resort this artwork made of Single-channel HD video: 16:9, 25:00 minutes, colour, sound, created in 2020-01-01

The Last Resort 2020

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Images of artworks on this website may be used for research, study and other related exceptions as defined by section 40 of the Copyright Act 1968 (as amended) without applying for specific permission. All other uses of the content of this site (where applicable).  Refer these requests to reproductions. For more information, see copyright and reproductions on the QAGOMA website.