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Waangk Awa' 2021

Artwork has not been digitised or not available due to pending copyright clearence, thus not currently available online
Accession No.
2022.224
Date Created
2021
Gallery location
Not on public display
Department
Indigenous Australian Art
Dimensions A
100 x 150cm
Media Category
Painting
Medium
Natural pigments and synthetic polymer paint on Belgian linen
Credit Line
Purchased 2022. Queensland Art Gallery | Gallery of Modern Art Foundation

Waangk Awa’ is a ‘story place’ for artist Janet Koongotema’s Dilly Bag Dreaming. Waangk Awa’ is the traditional Country of the Wik-Mungkan people, who belong to the Winchanam Clan; Koongotema paints this place as a clear assertion of her tribal rights to that part of her Country. Considered ngench thayan (sacred) and with access restricted to only Traditional Owners, Koongotema’s intimate, celebratory depictions of sacred Country reflect what she describes as ‘a very colourful place’ where the waters shimmer in kaleidoscopic hues, welcoming great flocks of migratory birds.

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Stories featuring this object

A detail view of a bright, abstract work.
SEEDS AND SOVEREIGNTY

QAGOMA COLLECTION: ‘Seeds and Sovereignty’

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Exhibitions featuring this object

An installation view of ‘Seeds and Sovereignty’, including works by (l–r) Emily Kame Kngwarreye, Minnie Pwerle (© Minnie Pwerle) and Evelyn McGreen and (foreground) mats by Judy Baypungala, Bonny Burarngarra, Lorna Jin-Gubarangunyja and Shirley Malgarrich, March 2024 / © The artists/Copyright agency (unless noted) / Photograph: C Callistemon, QAGOMA

‘Seeds and Sovereignty’

Mar 2024 - Sep 2024

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Basket 2010
Artwork Sacred bush turkey this artwork made of Natural pigments on eucalyptus bark, created in 1955-01-01

Sacred bush turkey c.1960
Artwork Kulama this artwork made of Natural pigments on canvas, created in 2005-01-01

Kulama 2005

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Images of artworks on this website may be used for research, study and other related exceptions as defined by section 40 of the Copyright Act 1968 (as amended) without applying for specific permission. All other uses of the content of this site (where applicable).  Refer these requests to reproductions. For more information, see copyright and reproductions on the QAGOMA website.