David Noonan is a London-based Australian artist with a growing international reputation. He was born in Ballarat, Victoria, where he studied art until moving to Melbourne in 1992 to complete his education at the Victorian College of the Arts.

While a student, Noonan became involved in the strong artist-run gallery scene in Melbourne. The experimental art practiced there in the 1990s was also a significant influence on his work, reflected in this set of paintings grouped under the title Type paintings 1993. Made with cheap materials in large numbers and endlessly reconfigurable, the panels resist the fine art conventions of painting. Noonan showed a set from this series, under the title Type 1-36, at 'Australian Perspecta 1993' in Sydney.

Noonan began the 'Type' series by making Components, plaster models of imaginary buildings in the International Style that resemble fragments of a fictitious utopian vision for a Modernist city. He photographed the Components and used both positive and negative prints, which he referred to as Models, as the basis for his monochromatic paintings.

When painting the series, Noonan deliberately imitated any defects in the photographs, such as lens flair or blurring, to impart a sense of movement. This implies passage through space and therefore through time, giving the images a cinematic quality. Film, particularly science fiction, influenced much of Noonan's work in the 1990s.