
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Painting
The prodigal son c.1780-1840
UNKNOWN
International Art | Sculpture
Spinario cast late 19th century
after School of PASITELES
Asian Art | Print
Courtesans (reprint) unknown
after EISEN
Asian Art | Sculpture
Flying horse of Kansu cast 1973
after EASTERN HAN ARTIST
International Art | Sculpture
Bust of Niccolo da Uzzano unknown
after DONATELLO
International Art | Sculpture
Borghese warrior 19th century
after AGASIUS THE EPHESIAN
Pacific Art | Fibre
Jipai (mask) 2011
AFEX, Ben
International Art | Glass
Decanter c.1875-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
Contemporary Australian Art | Installation
Blackboards with pendulums 1992
KENNEDY, Peter
International Art | Drawing
Design
ADAM, Sicander
International Art | Metalwork
Tea urn c.1770-1800
ADAM STYLE
International Art | Ceramic
Long necked vase c.1900-50
ACOMO PUEBLO
Pacific Art | Photograph
'Te Waiherehere', Koroniti, Wanganui River, 29 May 1986 1986, printed 1997
ABERHART, Laurence
Pacific Art | Photograph
Nature morte (silence), Savage Club, Wanganui, 20 February 1986 1986, printed 1999
ABERHART, Laurence
Pacific Art | Photograph
Angel over Whangape Harbour, Northland, 6 May 1982 1982, printed 1991
ABERHART, Laurence
Australian Art | Drawing
A memory of Gumeracha (study of flies) 1908
HEYSEN, Hans
Pacific Art | Print
The boxer 2009
ABEL, Patrik
APT10
Born 1980, Auckland, Aotearoa New Zealand
Lives and works in Auckland
Edith Amituanai’s photography creates sites of social connection and belonging, particularly for Pasifika, youth and refugee communities. Her images often take the form of portraits co-created with their subjects, showing how they picture themselves and the world they live in.
For 'La’u Pele Moana (My darling Moana)' 2021, Amituanai worked with friends and family based in Auckland to explore Moana (the Pacific Ocean) as a place of longing and aspiration. Amituanai focused on Samoans who have travelled — or want to travel — across this ocean to Australia, ‘the land of milk and honey’. Through video and a series of images printed on organza fabric, Amituanai explores their dreams and realities. The title refers to a popular 1981 love song by Samoan band the Golden Ali’is. Amituanai’s 'La’u Pele Moana' is a love song for lands and people left behind, and a lament for our infidelity to the ocean that is so fundamental to life.
Supported by Creative New Zealand.
Edith Amituanai / Aotearoa New Zealand b.1980 / 501 tattoo (From ' La'u Pele Moana (My darling Moana)' series) 2021 / Eco inks on 100% natural silk ed. 1/5 / 80 x 110cm / Purchased 2021 with funds from the Jennifer Taylor Bequest through the QAGOMA Foundation / Collection: QAGOMA / © Edith Amituanai