Joyce Campbell
‘Water: A rising tide’
We must carefully find the right position from which to view Joyce Campbell’s images — this might mean moving back and forth a little before the silvery surfaces come into focus. These artworks are daguerreotypes: an early form of photography in which the image is printed onto a mirrored plate instead of paper. Using this nineteenth-century technique, Campbell photographed sections of the Wairoa River where she grew up, together with the New Zealand longfin eel (Anguilla dieffenbachii). Both this river and the eel are manifestations of a female water spirit, or taniwha, called Hinekōrako. Working closely with historian and Māori elder Richard Niania, Campbell seeks a visual form to capture this elusive presence.
![Joyce Campbell / Aotearoa New Zealand b.1971 / She has a home where the two rivers meet, A grey-toned photograph of a river running through a ravine.](/index.php/system/files/styles/wide/private/2023-06/CAMPBELLjoyce_TeTaniwha%284%29AsASerpent_2010-12_001.jpg?itok=PtjF5ezB)
Joyce Campbell / Aotearoa New Zealand b.1971 / She has a home where the two rivers meet, from ‘Te Taniwha’ series 2010–12 / Daguerreotype in velvet and wood frame / Daguerreotype: 10.8 x 17.8cm; Frame: 25.5 x 19.1 x 4.5cm / © Joyce Campbell / Courtesy: The artist and Richard Niania
![Joyce Campbell / Aotearoa New Zealand b.1971 / Installation view of daguerreotypes in velvet and wood frames / Daguerreotype: 10.8 x 17.8cm; Frame: 25.5 x 19.1 x 4.5cm / © Joyce Campbell / Courtesy: The artist and Richard Niania Installation view of daguerreotypes in velvet and wood frames, in a dark gallery space.](/index.php/system/files/styles/wide/private/2023-08/GOMA_Water_installationview_20191213_nharth_026.jpg?itok=U36PHN2a)
Installation view of daguerreotypes by Joyce Campbell (Aotearoa New Zealand b.1971 / © Joyce Campbell / Courtesy: The artist and Richard Niania), installed for 'Water', GOMA, December 2019 / Photograph: N Harth, QAGOMA