
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Painting
The prodigal son c.1780-1840
UNKNOWN
International Art | Sculpture
Spinario cast late 19th century
after School of PASITELES
Asian Art | Print
Courtesans (reprint) unknown
after EISEN
Asian Art | Sculpture
Flying horse of Kansu cast 1973
after EASTERN HAN ARTIST
International Art | Sculpture
Bust of Niccolo da Uzzano unknown
after DONATELLO
International Art | Sculpture
Borghese warrior 19th century
after AGASIUS THE EPHESIAN
Pacific Art | Fibre
Jipai (mask) 2011
AFEX, Ben
International Art | Glass
Decanter c.1875-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
Contemporary Australian Art | Installation
Blackboards with pendulums 1992
KENNEDY, Peter
International Art | Drawing
Design
ADAM, Sicander
International Art | Metalwork
Tea urn c.1770-1800
ADAM STYLE
International Art | Ceramic
Long necked vase c.1900-50
ACOMO PUEBLO
Pacific Art | Photograph
'Te Waiherehere', Koroniti, Wanganui River, 29 May 1986 1986, printed 1997
ABERHART, Laurence
Pacific Art | Photograph
Nature morte (silence), Savage Club, Wanganui, 20 February 1986 1986, printed 1999
ABERHART, Laurence
Pacific Art | Photograph
Angel over Whangape Harbour, Northland, 6 May 1982 1982, printed 1991
ABERHART, Laurence
Australian Art | Drawing
A memory of Gumeracha (study of flies) 1908
HEYSEN, Hans
Pacific Art | Print
The boxer 2009
ABEL, Patrik
APT8
Born 1981, Nonthaburi, Thailand
Lives and works in Chiang Mai, Thailand
Paphonsak La-or's sharply realistic drawings, paintings and conceptual works offer acute critiques of Thai politics and history. His recent series 'Silent no more' 2014–15 features empty landscapes around Fukushima and Futaba in Japan, areas abandoned following the 2011 nuclear disasters. La-or viewed the terrain obsessively through Google maps and discovered a connection between his fascination with these quiet, uninhabitable landscapes and his frustration with the current political situation in Thailand. At the time, Thailand was experiencing a period of political instability, resulting in the military coup of May 2014. Finding similarity in the beautiful, lush landscapes of Japan and those around his hometown of Chiang Mai, La-or emphasises the contradictions between the apparently serene and peaceful scenes and the turbulent situations they represent. By placing texts rendered in dust below the images he further undermines their idyllic tranquillity.
Works from Paphonsak La-Or's 'Silent No More' series 2014–15 installed for APT8 in GOMA's Gallery 1.3, 2015 / Photograph: Natasha Harth, QAGOMA / © Paphonsak La-Or