
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Painting
The prodigal son c.1780-1840
UNKNOWN
International Art | Sculpture
Spinario cast late 19th century
after School of PASITELES
Asian Art | Print
Courtesans (reprint) unknown
after EISEN
Asian Art | Sculpture
Flying horse of Kansu cast 1973
after EASTERN HAN ARTIST
International Art | Sculpture
Bust of Niccolo da Uzzano unknown
after DONATELLO
International Art | Sculpture
Borghese warrior 19th century
after AGASIUS THE EPHESIAN
Pacific Art | Fibre
Jipai (mask) 2011
AFEX, Ben
International Art | Glass
Decanter c.1875-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
Contemporary Australian Art | Installation
Blackboards with pendulums 1992
KENNEDY, Peter
International Art | Drawing
Design
ADAM, Sicander
International Art | Metalwork
Tea urn c.1770-1800
ADAM STYLE
International Art | Ceramic
Long necked vase c.1900-50
ACOMO PUEBLO
Pacific Art | Photograph
'Te Waiherehere', Koroniti, Wanganui River, 29 May 1986 1986, printed 1997
ABERHART, Laurence
Pacific Art | Photograph
Nature morte (silence), Savage Club, Wanganui, 20 February 1986 1986, printed 1999
ABERHART, Laurence
Pacific Art | Photograph
Angel over Whangape Harbour, Northland, 6 May 1982 1982, printed 1991
ABERHART, Laurence
Australian Art | Drawing
A memory of Gumeracha (study of flies) 1908
HEYSEN, Hans
Pacific Art | Print
The boxer 2009
ABEL, Patrik
Completed in July 2023, this body of work by Papua New Guinea–based arts collective Haus Yuriyal is of great significance in the development of the group's practice, particularly the use of natural pigment and ground-based materials traditionally sought and applied in the painting of tribal fighting shields.
The kuman (shield) and its design remains a continued point of entry with the group's work, comprised primarily of members from the Yuri tribe of South Simbu, significant contributors with heritage from Southern Highlands and Enga Provinces, and custodial owners of the land on which Haus Yuriyal is based, in the Waghi Valley of Jiwaka Province.
In exercises facilitated by Yuriyal Eric Bridgeman, Haus Yuriyal has become synonymous with the revival of kuman designs, and the reinterpretation of men's practice within the hausman (men’s house), while at times also working alongside women artists, sisters, community members and tribal elders. The selection of paintings showcase one work from each individual present at the workshop, developed not only from earlier works on paper and drawings, but from each member's unique understanding of place, design and family history.
The Arebaa (Sun and Moon) shield design appears throughout the work, as well references to the Kuman Baa in which the dominant colour is white, a tribute to the Moon. Faces, skulls, birds and abstraction landscapes can be seen in this collection of ground paintings, insisting the group’s strong occupation with storytelling, connection to country, brotherhood and ancestry.
— Yuriyal Eric Bridgeman, 2023
1986
- present
Full profile
for BRIDGEMAN, Yuriyal
est. 2015
- present
Full profile
for HAUS YURIYAL