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ESSAY: Kihara's '(Where do we come from? What are we? Where are we going?)'

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ESSAY: van Dyck’s Portrait of Marchese Filippo Spinola

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ESSAY

Reflection Model (Perfect Bliss)

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ESSAY: Creating and collecting art for kids

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A girl in a forest sleeping in forest, wearing white lace, with crows on her feet

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Boyd's Sleeping bride

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ESSAY: Five watercolours by Kenneth Macqueen

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ESSAY: Vernon Ah Kee’s family portraits

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ESSAY: CAI Guo-Qiang's Heritage

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ESSAY: Chim-Pom and Meiro Koizumi

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ESSAY: Telia rumal textiles

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ESSAY

Julia Mage'au Gray: Best foot forward

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ESSAY

Kunmanara (Nellie) Stewart’s Punu wara

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NEWMAN, Marvin; Coney Island

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ESSAY: Medalla's Cloud Canyons No.25

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STRINGER, Richard

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ESSAY: Women and reality: Yun Suk-nam’s Pink sofa

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ESSAY

Nathan Pohio: Landfall of a spectre

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ESSAY: Nicolas Molé and Yumi Danis

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ESSAY

Blackman: Barnes Auto, Brisbane and City Lights

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A photograph of QAGOMA's Collection of ku' (camp dog) sculptures

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Ku’ (camp dogs)

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ESSAY

Picasso: ‘La Suite des Saltimbanques’

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ESSAY: Bilum: A cultural icon

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ESSAY: CREED, Martin; Work no. 189

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UNKNOWN; Buddha

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An installation view of a work of public art photographed on a sunny day; it takes the form of a large fishing net, cast in bronze, and it is set in front of GOMA, near the grass. It casts a net-like shadow on the concrete.

ESSAY

Judy Watson’s tow row

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ESSAY

Brook Andrew: The Island V

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ESSAY

Ron Mueck: In bed

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ESSAY: Boyd’s Persecuted lovers

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SHIGA, Shigeo; Landscape pot

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ESSAY

Naomi Hobson: Malkarti Pole (Dancing Pole)

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