In Doublonnage (Marcel), contemporary Japanese artist Morimura combines performance art with photography, posing himself in a highly orchestrated tableau. He assumes the guise of famous artist Marcel Duchamp's feminine alter ego Rrose Sélavy, as captured by photographer Man Ray in his classic image from 1921. Referring to Marcel in the title, this large photograph plays with the notion of double meaning. Is the protagonist male or female? How many different disguises (or hats) can one effect? Displayed here with earlier portraits painted in the tradition of the 'Grand Manner' or 'swagger' portrait, Morimura's photograph disrupts the conventions of the self-portrait genre while assuming its effects.