2020.369a-b 2010.171a-b BENNETT
By Sophie Rose Nina Miall
‘A Third Language’ February 2023
There are a number of reasons why I began painting abstract paintings . . . One reason is that I felt I had gone as far as I could with the postcolonial project I was working through . . . The content of the work was getting to me emotionally. So, painting in an overtly 'abstract' manner was a way to go silent on the issues involved and yet still keep painting. It was a way forward for me.
Another reason was to make people aware that I am an artist first and not a professional 'Aborigine'. I found people were always confusing me as a person with the content of my work. While it is true that most of my work has been autobiographical, I'm still separate from it . . .
Finally, I've never been one to make art about art before. There was always some sense of social engagement. I needed to change direction . . . at least for a while. Art about art seems appropriate for the time being. The 'Stripe' series of abstract paintings represents a kind of freedom for me as an artist.
— Gordon Bennett, 2004
Connected objects
![Estate of Gordon Bennett Artwork Number three this artwork made of Synthetic polymer paint on linen, created in 2004-01-01](/system/files/styles/large/private/object-images/2020.369a-b_053_composite_3.jpg?itok=GLYeu4uu)
Number three 2004
- BENNETT, Gordon - Creator
![Gordon Bennett Artwork Number twelve this artwork made of Synthetic polymer paint on linen, created in 2007-01-01](/system/files/styles/large/private/object-images/2010.171a-b_001_composite_3.jpg?itok=8cnbVekt)
Number twelve 2007
- BENNETT, Gordon - Creator
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