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The obliteration room 2002-present

Accession No.
2012.098
Date Created
2002-present
Gallery location
Not on public display
Department
Contemporary Asian Art
Dimensions A
Dimensions variable
Media Category
Installation
Medium
Furniture, white paint, dot stickers
Place Created
Japan
Credit Line
Collaboration between Yayoi Kusama and Queensland Art Gallery.
Commissioned Queensland Art Gallery. Gift of the artist through the Queensland Art Gallery Foundation 2012

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© YAYOI KUSAMA

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Stories featuring this object

Hundreds of stainless steel balls floating in the QAG Watermall
LOOKING BACK AT THE APT

APT4–5

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An installation view of a room with a piano, but every surface is covered up with colourful dots.
INFINITY & OBLITERATION

Obliteration revisited

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Yayoi Kusama / The obliteration room installed for APT4 (before activation)
ESSAY

Kusama’s Obliteration room

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Exhibitions featuring this object

‘The Obliteration Room’

Dec 2014 - Apr 2015

Works by Yasumasa Morimura, Masami Teraoka and Takashi Murakami installed for ‘We Can Make Another Future’ at GOMA, December 2014 / © The artists / Photograph: M Sherwood, QAGOMA

‘We Can Make Another Future’

Sep 2014 - Sep 2015

Other works in this medium

Artwork Night Life this artwork made of Architectural light installation, created in 2018-01-01

Night Life 2018
Artwork In the aftermath this artwork made of Found objects, artist-made icons, plaster, resin, concrete, steel, pigment, created in 2017-01-01

In the aftermath 2017-18
Artwork Kwaia koromb (small spirit house) this artwork made of Eight bi (ceiling paintings): synthetic polymer paint on plywood; ten kwat (posts): synthetic polymer paint on recycled timber; 74 carvings: synthetic polymer paint on soft wood; two kunda (chains); with audio component, created in 2012-01-01

Kwaia koromb (small spirit house) 2012

Reproduction requests

Images of artworks on this website may be used for research, study and other related exceptions as defined by section 40 of the Copyright Act 1968 (as amended) without applying for specific permission. All other uses of the content of this site (where applicable).  Refer these requests to reproductions. For more information, see copyright and reproductions on the QAGOMA website.