
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Painting
The prodigal son c.1780-1840
UNKNOWN
International Art | Sculpture
Spinario cast late 19th century
after School of PASITELES
Asian Art | Print
Courtesans (reprint) unknown
after EISEN
Asian Art | Sculpture
Flying horse of Kansu cast 1973
after EASTERN HAN ARTIST
International Art | Sculpture
Bust of Niccolo da Uzzano unknown
after DONATELLO
International Art | Sculpture
Borghese warrior 19th century
after AGASIUS THE EPHESIAN
Pacific Art | Fibre
Jipai (mask) 2011
AFEX, Ben
International Art | Glass
Decanter c.1875-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
Contemporary Australian Art | Installation
Blackboards with pendulums 1992
KENNEDY, Peter
International Art | Drawing
Design
ADAM, Sicander
International Art | Metalwork
Tea urn c.1770-1800
ADAM STYLE
International Art | Ceramic
Long necked vase c.1900-50
ACOMO PUEBLO
Pacific Art | Photograph
'Te Waiherehere', Koroniti, Wanganui River, 29 May 1986 1986, printed 1997
ABERHART, Laurence
Pacific Art | Photograph
Nature morte (silence), Savage Club, Wanganui, 20 February 1986 1986, printed 1999
ABERHART, Laurence
Pacific Art | Photograph
Angel over Whangape Harbour, Northland, 6 May 1982 1982, printed 1991
ABERHART, Laurence
Australian Art | Drawing
A memory of Gumeracha (study of flies) 1908
HEYSEN, Hans
Pacific Art | Print
The boxer 2009
ABEL, Patrik
APT10
Born 1970, Karachi, Pakistan
Lives and works in Karachi
Adeela Suleman is known for her sculptural works, which often confront themes of political urgency. Since 2014, she has produced painted works on found ceramic and enamel plates, along with suites of painted daggers and meat cleavers. Combining artisanal craft with found objects, these works delve through history to consider violent conflicts and their depictions. They feature techniques and motifs of South Asian miniature painting and draw on different historical events, sites and artistic traditions.
Works from Adeela Suleman's 'Home Front' series, installed for APT10, GOMA, April 2022 / Hand-painted metal cleaverd with enamel paint and lacquer / © Adeela Suleman / Photograph: N Harth, QAGOMA
In vivid colours painted on porcelain and enamel dishes, Suleman balances the domestic and delicate nature of the objects and lavish painterly technique with bloodied scenarios and violent encounters. In a related series titled 'Home Front', painted metal cleavers bear delicate illustrations of Himalayan mountain-scapes, drawn from postcards that circulate in Pakistan. Through these idealised landscapes painted on flesh-cutting objects, Suleman recognises the ongoing conflict in the region.