
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Painting
The prodigal son c.1780-1840
UNKNOWN
International Art | Sculpture
Spinario cast late 19th century
after School of PASITELES
Asian Art | Print
Courtesans (reprint) unknown
after EISEN
Asian Art | Sculpture
Flying horse of Kansu cast 1973
after EASTERN HAN ARTIST
International Art | Sculpture
Bust of Niccolo da Uzzano unknown
after DONATELLO
International Art | Sculpture
Borghese warrior 19th century
after AGASIUS THE EPHESIAN
Pacific Art | Fibre
Jipai (mask) 2011
AFEX, Ben
International Art | Glass
Decanter c.1875-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
Contemporary Australian Art | Installation
Blackboards with pendulums 1992
KENNEDY, Peter
International Art | Drawing
Design
ADAM, Sicander
International Art | Metalwork
Tea urn c.1770-1800
ADAM STYLE
International Art | Ceramic
Long necked vase c.1900-50
ACOMO PUEBLO
Pacific Art | Photograph
'Te Waiherehere', Koroniti, Wanganui River, 29 May 1986 1986, printed 1997
ABERHART, Laurence
Pacific Art | Photograph
Nature morte (silence), Savage Club, Wanganui, 20 February 1986 1986, printed 1999
ABERHART, Laurence
Pacific Art | Photograph
Angel over Whangape Harbour, Northland, 6 May 1982 1982, printed 1991
ABERHART, Laurence
Australian Art | Drawing
A memory of Gumeracha (study of flies) 1908
HEYSEN, Hans
Pacific Art | Print
The boxer 2009
ABEL, Patrik
Rachel Mounsey
Australia b.1975
From ‘Mallacoota fires in the sky’ series:
Mallacoota fires in the sky 1–4 2020
Inkjet print on Canson Platine
Fibre Rag paper
Dimensions vary
Purchased 2021. Queensland Art Gallery | Gallery of Modern Art Foundation
Mallacoota fires in the sky 5–8 2020
Inkjet print on Canson Platine
Fibre Rag paper
Dimensions vary 2020
Purchased 2022. Queensland Art Gallery | Gallery of Modern Art Foundation
Rachel Mounsey documents her home, the Victorian coastal town of Mallacoota, enveloped by wild bushfires, the sky darkening mid-morning and stained an eerie, vivid red.
Works from Rachel Mounsey’s ‘Mallacoota fires in the sky’ series, installed at GOMA for ‘Air’, November 2022 / Photograph: C Callistemon, QAGOMA
These confronting scenes would become one of the defining events of Australia’s catastrophic bushfire season from December 2019 to February 2020, now known as the nation’s ‘Black Summer’. The fires enveloped the town in the early hours of New Year’s Eve 2019. By the morning, thousands of residents and tourists had taken shelter on the shore, waiting to evacuate by sea. The ferocious spread of these fires across the south-eastern seaboard saw the Australian landscape ignite like never before, with the flames eventually consuming more than 24 million hectares of forest. The super-fires are widely considered to be part of increasing extreme weather events caused by global heating.
Mounsey’s dramatic images of her own community were widely circulated as photojournalism at the time. As an artist, she also recorded more quietly surreal moments; for example, where a young boy plays with his dog on the shore of Bastion Point, amid the ash-thickened air.