German-born and trained, Sievers made Australia his home in 1938 and built a career creating images he felt would enhance this country’s standing as an industrial nation. Sievers staged his shoots using cinematic tools, such as theatrical lighting and arranged figures, to create a sense of clarity and power.
In the 1970s, as workers were increasingly replaced by automation, the human dimension in Sievers’s work became subsumed by industry. Towards the end of his life, the photographer reflected: ‘In creating beautiful images, I have glamorised industries which have often been heedless of their sacred trust to use resources wisely and take care of in the interest of future generations’.