
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Painting
The prodigal son c.1780-1840
UNKNOWN
International Art | Sculpture
Spinario cast late 19th century
after School of PASITELES
Asian Art | Print
Courtesans (reprint) unknown
after EISEN
Asian Art | Sculpture
Flying horse of Kansu cast 1973
after EASTERN HAN ARTIST
International Art | Sculpture
Bust of Niccolo da Uzzano unknown
after DONATELLO
International Art | Sculpture
Borghese warrior 19th century
after AGASIUS THE EPHESIAN
Pacific Art | Fibre
Jipai (mask) 2011
AFEX, Ben
International Art | Glass
Decanter c.1875-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
Contemporary Australian Art | Installation
Blackboards with pendulums 1992
KENNEDY, Peter
International Art | Drawing
Design
ADAM, Sicander
International Art | Metalwork
Tea urn c.1770-1800
ADAM STYLE
International Art | Ceramic
Long necked vase c.1900-50
ACOMO PUEBLO
Pacific Art | Photograph
'Te Waiherehere', Koroniti, Wanganui River, 29 May 1986 1986, printed 1997
ABERHART, Laurence
Pacific Art | Photograph
Nature morte (silence), Savage Club, Wanganui, 20 February 1986 1986, printed 1999
ABERHART, Laurence
Pacific Art | Photograph
Angel over Whangape Harbour, Northland, 6 May 1982 1982, printed 1991
ABERHART, Laurence
Australian Art | Drawing
A memory of Gumeracha (study of flies) 1908
HEYSEN, Hans
Pacific Art | Print
The boxer 2009
ABEL, Patrik
APT10
Born 1995, Bamiyan, Afghanistan
Lives and works in Yogyakarta, Indonesia
Amin Taasha belongs to the Hazara community of central Afghanistan and has memories of playing around the Buddhas of Bamiyan, which were destroyed during the Taliban regime, before his family moved to Kabul to escape persecution. In 2012, Taasha’s works drew the attention of authorities in Kabul and he was intimidated at gunpoint. He quickly sought opportunities to travel abroad and received a scholarship to study in Indonesia the following year.
For many years, Taasha has carried a book written by the fourteenth-century Persian poet Hafiz, which has particular significance for him and his family. He has used the sheets of poetry as the base of a vast painting project, onto which he renders symbols and motifs from his own life and the history and mythology of Afghanistan and Central Asia. Figures and motifs in watercolour appear over the printed poetry with highlights of gold, silver and copper. They capture the Gandharan Buddhist-style imagery for which Bamiyan was known, as well as the ammunition and weaponry of the Taliban, mythological characters and historical symbols.
A selection of Hafiz in diaspora works are included below; dig deeper into Collection Online to explore all 42 of Amin Taasha's works in the QAGOMA Collection.