
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Painting
The prodigal son c.1780-1840
UNKNOWN
International Art | Sculpture
Spinario cast late 19th century
after School of PASITELES
Asian Art | Print
Courtesans (reprint) unknown
after EISEN
Asian Art | Sculpture
Flying horse of Kansu cast 1973
after EASTERN HAN ARTIST
International Art | Sculpture
Bust of Niccolo da Uzzano unknown
after DONATELLO
International Art | Sculpture
Borghese warrior 19th century
after AGASIUS THE EPHESIAN
Pacific Art | Fibre
Jipai (mask) 2011
AFEX, Ben
International Art | Glass
Decanter c.1875-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
Contemporary Australian Art | Installation
Blackboards with pendulums 1992
KENNEDY, Peter
International Art | Drawing
Design
ADAM, Sicander
International Art | Metalwork
Tea urn c.1770-1800
ADAM STYLE
International Art | Ceramic
Long necked vase c.1900-50
ACOMO PUEBLO
Pacific Art | Photograph
'Te Waiherehere', Koroniti, Wanganui River, 29 May 1986 1986, printed 1997
ABERHART, Laurence
Pacific Art | Photograph
Nature morte (silence), Savage Club, Wanganui, 20 February 1986 1986, printed 1999
ABERHART, Laurence
Pacific Art | Photograph
Angel over Whangape Harbour, Northland, 6 May 1982 1982, printed 1991
ABERHART, Laurence
Australian Art | Drawing
A memory of Gumeracha (study of flies) 1908
HEYSEN, Hans
Pacific Art | Print
The boxer 2009
ABEL, Patrik
Contemporary indigenous and vernacular art of India
Developed for APT8 with assistance from Minhazz Majumdar
Several hundred indigenous and rural-based communities exist in India, varying greatly in ethnicity, culture and language. Developed in collaboration with Delhi-based curator, Minhazz Majumdar, this focus project explores some of the diverse artistic traditions that have survived and evolved from these regions. Kalpa Vriksha is a Sanskrit term for a divine or wishfulfilling tree. Mentioned in scriptures, it is also used to describe living, sacred trees, traversing boundaries between the everyday and the mythical, ancient and contemporary. Communities such as the Warli, Gond, Patachitra scroll painters and Mithila artists are known for vibrant visual techniques with ancient histories, while Kalighat painting and clay sculpture from the Rajwar community have developed as part of daily vernacular life and belief. Phad painting and Kaavad shrines are part of story-telling traditions drawing on song and performance.This project considers some of the most exciting and experimental artists working with the knowledge of these traditions today, capturing how traditional iconography and techniques have developed and how artists are using new styles to explore contemporary issues.