
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Painting
The prodigal son c.1780-1840
UNKNOWN
International Art | Sculpture
Spinario cast late 19th century
after School of PASITELES
Asian Art | Print
Courtesans (reprint) unknown
after EISEN
Asian Art | Sculpture
Flying horse of Kansu cast 1973
after EASTERN HAN ARTIST
International Art | Sculpture
Bust of Niccolo da Uzzano unknown
after DONATELLO
International Art | Sculpture
Borghese warrior 19th century
after AGASIUS THE EPHESIAN
Pacific Art | Fibre
Jipai (mask) 2011
AFEX, Ben
International Art | Glass
Decanter c.1875-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
Contemporary Australian Art | Installation
Blackboards with pendulums 1992
KENNEDY, Peter
International Art | Drawing
Design
ADAM, Sicander
International Art | Metalwork
Tea urn c.1770-1800
ADAM STYLE
International Art | Ceramic
Long necked vase c.1900-50
ACOMO PUEBLO
Pacific Art | Photograph
'Te Waiherehere', Koroniti, Wanganui River, 29 May 1986 1986, printed 1997
ABERHART, Laurence
Pacific Art | Photograph
Nature morte (silence), Savage Club, Wanganui, 20 February 1986 1986, printed 1999
ABERHART, Laurence
Pacific Art | Photograph
Angel over Whangape Harbour, Northland, 6 May 1982 1982, printed 1991
ABERHART, Laurence
Australian Art | Drawing
A memory of Gumeracha (study of flies) 1908
HEYSEN, Hans
Pacific Art | Print
The boxer 2009
ABEL, Patrik
APT8
Born 1958, Datu Paglas, The Philippines
Lives And Works In Manila, The Philippines
Lav Diaz is one of the leading figures of contemporary cinema, celebrated for his ambitious films that explore the social and political history of the Philippines. Diaz is also heralded as the most active proponent of 'slow' or durational cinema. Running between 4 to 12 hours, and made with the freedom afforded by digital technologies, Diaz's films describe the everyday with an epic scope. Intensely poetic and beautiful, Diaz's works have addressed the era of martial law under Ferdinand Marcos (1965–86); the revolution against Spanish colonial rule; and the devastating aftermath of Typhoon Haiyan in 2013.
Lav Diaz / The Philippines, b.1958 / Production still from Norte, hangganan ng kasaysayan (Norte, the End of History) 2013 / HD video transferred to DCP, colour, stereo, 250 minutes, Philippines, Filipino/Tagalog/English (English subtitles) / Image courtesy: The artist and Moria Lang, Manila / © Lav Diaz
'I would go to any extent in my art to fathom the mystery of humankind's existence. I want to understand death. I want to understand solitude. I want to understand struggle. I want to understand the philosophy of a growing flower in the middle of a swamp.'
— Lav Diaz
Lav Diaz is one of the leading figures of contemporary cinema, celebrated for his intensely poetic and beautiful works exploring the social and political history of the Philippines. His films have dealt with the era of martial law under Ferdinand Marcos (1965–86); the revolution against Spanish colonial rule; and the devastating aftermath of Typhoon Haiyan in 2013. He is also heralded as the most active proponent of 'slow' or durational cinema. Running between 4 to 12 hours, his films derive a remarkable command from their use of duration, bearing witness to life with an epic approach more commonly associated with literature. For APT8, the Gallery presented 13 major works by Diaz constituting almost 70 hours of screen time — a commitment reflected in Diaz's own unwavering dedication to conveying the struggle of the Filipino people, or what he refers to as 'the Filipino psyche', as a reality experienced in real time.
QAGOMA thanks Lav Diaz; Epicmedia, Inc., Manila: Bianca Balbuena; Moira Lang, Manila; Sine Olivia Pilipinas, Manila: Hazel Orencio and The Austrian Film Archive, Wien: Adelheid Heftberger, for generously providing materials for this program.