
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Painting
The prodigal son c.1780-1840
UNKNOWN
International Art | Sculpture
Spinario cast late 19th century
after School of PASITELES
Asian Art | Print
Courtesans (reprint) unknown
after EISEN
Asian Art | Sculpture
Flying horse of Kansu cast 1973
after EASTERN HAN ARTIST
International Art | Sculpture
Bust of Niccolo da Uzzano unknown
after DONATELLO
International Art | Sculpture
Borghese warrior 19th century
after AGASIUS THE EPHESIAN
Pacific Art | Fibre
Jipai (mask) 2011
AFEX, Ben
International Art | Glass
Decanter c.1875-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
Contemporary Australian Art | Installation
Blackboards with pendulums 1992
KENNEDY, Peter
International Art | Drawing
Design
ADAM, Sicander
International Art | Metalwork
Tea urn c.1770-1800
ADAM STYLE
International Art | Ceramic
Long necked vase c.1900-50
ACOMO PUEBLO
Pacific Art | Photograph
'Te Waiherehere', Koroniti, Wanganui River, 29 May 1986 1986, printed 1997
ABERHART, Laurence
Pacific Art | Photograph
Nature morte (silence), Savage Club, Wanganui, 20 February 1986 1986, printed 1999
ABERHART, Laurence
Pacific Art | Photograph
Angel over Whangape Harbour, Northland, 6 May 1982 1982, printed 1991
ABERHART, Laurence
Australian Art | Drawing
A memory of Gumeracha (study of flies) 1908
HEYSEN, Hans
Pacific Art | Print
The boxer 2009
ABEL, Patrik
APT9
Born 1955 Tokyo, Japan
Lives and works in Uwajima, Japan
Shinro Ohtake lived in London in the late 1970s at the height of the punk scene. He returned to Tokyo to form the pioneering noise outfit Juke/19 and embarked on a series of exhibitions that helped catalyse the contemporary art scene then emerging in the Japanese capital. One of the most influential figures in Japanese contemporary art, Ohtake intensified the cut-up aesthetic of London punk to a level of sensory overload. Collage, assemblage, oil painting, and a seemingly endless progression of dense, voluminous scrapbooks represent some of the aspects of his practice. Ohtake has also produced a succession of highly engaging installations, which the artist describes as self-portraits, that unify the various threads of his practice.
Shinro Ohtake / Japan b.1955 / Oku-Kei 13 2017 / Oil, acrylic, ink, coloured ink, colour powder, printed matter, photograph, ink-jet print, silk screen print, hemp cloth, cotton cloth, synthetic leather, cheesecloth, silk thread, cotton yarn, adhesive cellophane tape, packing tape, metal, lead, sponge, lichen, plastic, plastic sheet, balsa wood, packing paper, thin paper, Japanese paper, newspaper, wall paper, and paper in custom frame / 153 x 133 x 9.2cm / © Shinro Ohtake / Image courtesy: The artist and Take Ninagawa, Tokyo
Shinro Ohtake maintains a balance of rebelliousness and refinement in his work, which is based on the acts of cutting and pasting images, testing the viscosity and hue of paint, and recycling discarded objects. His works in APT9 are from two recent series: the abstract works of the ‘Time Memory’ series, begun in 2011, and the more figurative works known as Oku-Kei (literally ‘Memory Scapes’) from 2017–18.
For all the apparent intensity of the surfaces of Ohtake’s works, they are created with great patience, though his process of selection is impulsive and intuitive. The artist methodically creates layers of material inspired by geological strata, striving for a ‘variation of density’, rather than a thematic connection between elements.
Ohtake is also interested in the way that layering images and materials evokes the jumble of urban streetscapes, the passage of time, and the associative quality of memories and dreams. His work is a material-driven investigation into vision and memory, founded on the daily experience of living in a world saturated with images.