
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Painting
The prodigal son c.1780-1840
UNKNOWN
International Art | Sculpture
Spinario cast late 19th century
after School of PASITELES
Asian Art | Print
Courtesans (reprint) unknown
after EISEN
Asian Art | Sculpture
Flying horse of Kansu cast 1973
after EASTERN HAN ARTIST
International Art | Sculpture
Bust of Niccolo da Uzzano unknown
after DONATELLO
International Art | Sculpture
Borghese warrior 19th century
after AGASIUS THE EPHESIAN
Pacific Art | Fibre
Jipai (mask) 2011
AFEX, Ben
International Art | Glass
Decanter c.1875-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
Contemporary Australian Art | Installation
Blackboards with pendulums 1992
KENNEDY, Peter
International Art | Drawing
Design
ADAM, Sicander
International Art | Metalwork
Tea urn c.1770-1800
ADAM STYLE
International Art | Ceramic
Long necked vase c.1900-50
ACOMO PUEBLO
Pacific Art | Photograph
'Te Waiherehere', Koroniti, Wanganui River, 29 May 1986 1986, printed 1997
ABERHART, Laurence
Pacific Art | Photograph
Nature morte (silence), Savage Club, Wanganui, 20 February 1986 1986, printed 1999
ABERHART, Laurence
Pacific Art | Photograph
Angel over Whangape Harbour, Northland, 6 May 1982 1982, printed 1991
ABERHART, Laurence
Australian Art | Drawing
A memory of Gumeracha (study of flies) 1908
HEYSEN, Hans
Pacific Art | Print
The boxer 2009
ABEL, Patrik
William Yang is a third-generation Australian-Chinese artist, born and raised in Queensland. He is best known for his documentary photographs and his narrative monologues with slide projections. Many of Yang's works examine his Chinese family history, gay identity or themes such as AIDS.
‘About my mother’ 2003 is a portfolio of 30 photographs on the subject of Yang's mother, Emma. A number of the photographs were taken by the artist and others were collected from family and friends. The images begin in the 1930s in Cairns, in far north Queensland, when Emma was a young woman, and end in the 1990s in Graceville, Brisbane, where she died.
Yang's relationship with his mother was complex: while he felt comforted by her unconditional love, he also felt he was only able to be fully himself after her death. Yang gives us a sense of Emma as a strong and proud woman, but we also experience his struggle to grasp his mother's 'true essence' in a fleeting photograph.
Feature image: Works from William Yang’s ‘About my mother’ series 2003, installed for ‘Seeing and Being Seen’, QAG, April 2021 / © William Yang / Photograph: J Ruckli, QAGOMA