In Sacrifice (portfolio) 1993, Wiradjuri/Kamilaroi artist Michael Riley (1960–2004) mines the reservoir of Christian iconography to proffer an allegory of Indigenous sacrifice under colonisation. In this series, images of crosses, fish, lilies and stigmata function not only as Christian symbols, but as symbols that narrate sacrifice.

During colonisation, Christian organisations exerted control over Indigenous peoples by establishing reserves and missions. Many were forcibly relocated to these missions and forbidden from speaking their language and participating in cultural practices. Having grown on up on the Talbragar Reserve just outside of Dubbo, NSW, Riley witnessed this firsthand. Ultimately, Riley intended not to disparage Christianity as a practice, but to critically examine how it was weaponised.