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Contemporary Asian art

A painted circus tent installed in a gallery space

DIDACTIC

Lies, Magicians and Blind Faith

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1994.257 ALVARADO GITTOES

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1995.180 1995.181 1995.182 1995.183 REAMILLO

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2017.290 BOSE

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1995.185 1995.186 BOSE

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1995.097a-y BOSE

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2009.213.001-002 GRIGGS

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2018.210 WANG

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2010.142 MANTOFANI

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2012.002a-d MELDIBEKOV

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2007.006 2007.007 2007.008 NGUYEN

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2018.235 ALBAIQUNI

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Works by (l–r) Erbossyn Meldibekov and Zico Albaiquni, installed at QAG for ‘Errant Objects’ / Purchased 2012. Queensland Art Gallery / © The artists / Photograph: N Harth, QAGOMA

DIDACTIC

Errant Objects

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Shigeo Toya’s Woods III 1991–92, installed for ‘Inscriptions and Excavations’, GOMA, March 2024 / © Shigeo Toya / Photograph: C Callistemon, QAGOMA

DIDACTIC: Woods III: Inscriptions and Excavations

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LABEL: QIU 2004.143

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LABEL: 1998.060 CHRISTANTO

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© Lee Wen

APAP: From 'Japanese art' to 'art in Japan'

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An installation view of a textile work in red tones on a white gallery wall, with two visitors looking on.

Telia rumal textiles from South India

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LABEL: 2015.047 TANIGUCHI

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LABEL: Works from 'Everything will fall into ruin' 1990-2009 YAO

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LABEL: 2003.083 YANG FUDONG

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LABEL: 2015.181a- YANG

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LABEL: 2009.221 MANSUDAE ART STUDIO

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ESSAY: Kazama’s Nonhuman crossing

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ESSAY: Chim↑Pom

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ESSAY: Koizumi’s Double projection

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APT7 Opening Weekend visitors view Takahiro Iwasaki's Reflection Model (Perfect Bliss) 2010–12

ESSAY: Iwasaki’s Reflection Model (Perfect Bliss)

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ESSAY: Yoneda’s ‘Scenes’

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A detail view of a work of art with a small gold flower symbol on a black background.

ESSAY: Yanagi’s Hinomaru (Rising sun)

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ESSAY: Tadasu Takamine’s Baby Insa-dong

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