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Contemporary Asian art
ESSAY: Ozawa’s ‘Vegetable weapons’
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ESSAYS: Morimura’s alter-egos
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ESSAY: Kashiki’s fluid compositions
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ESSAY: Kasahara’s
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ESSAY: Michiko Kon’s unsettling photographs
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ESSAY: Kusama’s pumpkins and flowers
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ESSAY: Nobuyoshi Araki’s photographs
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ESSAY: Ay-o’s spring pictures
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Kusama’s Obliteration room
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ESSAY: Teppei Kaneuji’s White discharge works
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Kohei Nawa: PixCell-Double Deer#4
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ESSAY: Hiraki Sawa’s O
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ESSAY: Teruya’s Notice – Forest
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ESSAY: YNG’s Mobile Studio
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ESSAY: Murakami’s Mr DOB
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Yoshizawa’s vibrant abstraction
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ESSAY: Moriyama’s distinctive photographs
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ESSAY: Takahiko Iimura’s video experiments
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ESSAY: Mieko Shiomi: The world as a process
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Ay-O’s ‘finger boxes’
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ESSAY: Sugimoto’s Hall of Thirty-Three Bays
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ESSAY: Toshio Shibata’s Onogami village, Gunma
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ESSAY: Tsuguo Yanai’s ‘Protoplasm’ lithographs
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ESSAY: Kimio Tsuchiya’s cycles of loss
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ESSAY: Asakai’s ‘Passage’ series
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ESSAY: Rei Naito
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ESSAY: Sato’s Breath-graph no. 21
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ESSAY: Shigeo Toya’s Woods III
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ESSAY: Lee Ufan’s Relatum
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Yayoi Kusama's infinities
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