
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Painting
The prodigal son c.1780-1840
UNKNOWN
International Art | Sculpture
Spinario cast late 19th century
after School of PASITELES
Asian Art | Print
Courtesans (reprint) unknown
after EISEN
Asian Art | Sculpture
Flying horse of Kansu cast 1973
after EASTERN HAN ARTIST
International Art | Sculpture
Bust of Niccolo da Uzzano unknown
after DONATELLO
International Art | Sculpture
Borghese warrior 19th century
after AGASIUS THE EPHESIAN
Pacific Art | Fibre
Jipai (mask) 2011
AFEX, Ben
International Art | Glass
Decanter c.1875-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
Contemporary Australian Art | Installation
Blackboards with pendulums 1992
KENNEDY, Peter
International Art | Drawing
Design
ADAM, Sicander
International Art | Metalwork
Tea urn c.1770-1800
ADAM STYLE
International Art | Ceramic
Long necked vase c.1900-50
ACOMO PUEBLO
Pacific Art | Photograph
'Te Waiherehere', Koroniti, Wanganui River, 29 May 1986 1986, printed 1997
ABERHART, Laurence
Pacific Art | Photograph
Nature morte (silence), Savage Club, Wanganui, 20 February 1986 1986, printed 1999
ABERHART, Laurence
Pacific Art | Photograph
Angel over Whangape Harbour, Northland, 6 May 1982 1982, printed 1991
ABERHART, Laurence
Australian Art | Drawing
A memory of Gumeracha (study of flies) 1908
HEYSEN, Hans
Pacific Art | Print
The boxer 2009
ABEL, Patrik
Ali Kazim
Pakistan b.1979
Untitled (cloud series) 2018
Pigments on mylar
32 x 42cm
Untitled (storm series) 2018
Pigments on mylar
32 x 42cm
Purchased 2018 with funds from the Contemporary Patrons through the Queensland Art Gallery | Gallery of Modern Art Foundation
Ali Kazim’s two small drawings capture the shifting weather over the ancient ruins in the Punjab region of Pakistan, once home to the vibrant Bronze Age civilisation of the Indus Valley. Through Untitled (cloud series) and Untitled (storm series) 2018 Kazim conjures the remarkable cultures that evolved under these skies and contemplates their demise. The fleeting cloud, forming from vapour and eventually dissipating, acts as a metaphor for the disintegration of influence.
Ali Kazim’s Untitled (cloud series) and Untitled (storm series) 2018, installed at GOMA for ‘Air’, January 2023 / © Ali Kazim / Photograph: M Campbell, QAGOMA
Working on polyester film allows Kazim to treat tiny particles with particular attention. Black pigment is worked with cotton or soft brushes to create an atmospheric field, while stencils and erasers are used to describe floating pottery shards, dust and storm clouds. The artist describes dust in fine detail, studying its capacity to both preserve and destroy layers of history, and exploring how dust can reveal traces of civilisations as it shifts and moves. Capturing such transient moments, as climatic forces draw sleeping ruins out of stasis, Ali Kazim’s subtle images ruminate on the passage of time.