
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Painting
The prodigal son c.1780-1840
UNKNOWN
International Art | Sculpture
Spinario cast late 19th century
after School of PASITELES
Asian Art | Print
Courtesans (reprint) unknown
after EISEN
Asian Art | Sculpture
Flying horse of Kansu cast 1973
after EASTERN HAN ARTIST
International Art | Sculpture
Bust of Niccolo da Uzzano unknown
after DONATELLO
International Art | Sculpture
Borghese warrior 19th century
after AGASIUS THE EPHESIAN
Pacific Art | Fibre
Jipai (mask) 2011
AFEX, Ben
International Art | Glass
Decanter c.1875-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
Contemporary Australian Art | Installation
Blackboards with pendulums 1992
KENNEDY, Peter
International Art | Drawing
Design
ADAM, Sicander
International Art | Metalwork
Tea urn c.1770-1800
ADAM STYLE
International Art | Ceramic
Long necked vase c.1900-50
ACOMO PUEBLO
Pacific Art | Photograph
'Te Waiherehere', Koroniti, Wanganui River, 29 May 1986 1986, printed 1997
ABERHART, Laurence
Pacific Art | Photograph
Nature morte (silence), Savage Club, Wanganui, 20 February 1986 1986, printed 1999
ABERHART, Laurence
Pacific Art | Photograph
Angel over Whangape Harbour, Northland, 6 May 1982 1982, printed 1991
ABERHART, Laurence
Australian Art | Drawing
A memory of Gumeracha (study of flies) 1908
HEYSEN, Hans
Pacific Art | Print
The boxer 2009
ABEL, Patrik
Jonathan Jones
Wiradjuri/Kamilaroi peoples
Australia b.1978
with Dr Uncle Stan Grant Snr AM
Wiradjuri people
Australia b.1940
(untitled) giran 2018
Bindu-gaany (freshwater mussel shell), gabudha (rush), gawurra (feathers), marrung dinawan (emu egg), walung (stone), wambuwung dhabal (kangaroo bone), wayu (string), wiiny (wood), 48-channel soundscape
Sound design: Luke Mynott, Sonar Sound
Installed dimensions variable
Purchased 2018 with funds from Tim Fairfax AC through the Queensland Art Gallery | Gallery of Modern Art Foundation
This circling murmuration evokes birds in flight and shares cultural knowledge. untitled (giran) 2018 brings the language of the Wiradjuri people of New South Wales to Kurilpa, on the Maiwar (Brisbane) River, together with the sounds of wind, bird calls and breathing. ‘Understanding wind is an important part of understanding Country’, says Jonathan Jones. ‘Winds bring change, knowledge and new ideas to those prepared to listen.’
Jonathan Jones and Dr Uncle Stan Grant Sr AM’s untitled (giran) 2018, installed for ‘Air’ / Purchased 2018 with funds from Tim Fairfax AC through the Queensland Art Gallery | Gallery of Modern Art Foundation / © The artists / Photograph: N Harth, QAGOMA
Jones’s collaboration with Dr Uncle Stan Grant Snr draws on the concept of giran, which describes the winds and change, as well as feelings of fear and apprehension. Traditional tools are at the heart of the artwork. Bound to each tool with handmade string is a small composition of feathers gathered by people from across Australia. The installation is composed of six tool types. Like the winds, Wiradjuri philosophy divides them into male and female groups: bagaay — an emu eggshell spoon; bindu-gaany — a freshwater mussel scraper; waybarra — a weaving start; bingal — a bone awl; dhala-ny — a wooden spear point; and galigal — a stone knife. Each tool has limitless potential.
Jonathan Jones and Dr Uncle Stan Grant Sr AM’s untitled (giran) 2018, installed for ‘Air’ / Purchased 2018 with funds from Tim Fairfax AC through the Queensland Art Gallery | Gallery of Modern Art Foundation / © The artists / Photograph: N Harth, QAGOMA
Jones worked with community and many different collaborators to craft the tiny ‘wings’, bringing people together to enhance connections to land, culture and language.