Advanced search

Untitled - (In)different 1994

Artwork Untitled - (In)different this artwork made of Marble, created in 1994-01-01
Accession No.
1996.213a-h
Date Created
1994
Department
Contemporary Asian Art
Dimensions A
Boy 1 (h): 6.5 x 7.7 x 12.5cm; boy 2 (g): 6.3 x 7.7 x 13.1cm; boy 3 (f): 6.3 x 7.7 x 14.8cm; boy 4 (e): 6.3 x 7.2 x 14.9cm; girl 1 (d): 6.5 x 7.7 x 12.5cm; girl 2 (c): 6.5 x 7.7 x 13.1cm; girl 3 (b): 6.5 x 7.7 x 13.3cm; girl 4 (a): 6.5 x 7.7 x 13cm; 6.5 x 65 x 38.5cm (installed)
A: (installed) 6,5 x 65 x 38,5 cm
A: Boy 1 (h) 6,5 x 7,7 x 12,5 cm
A: boy 2 (g) 6,3 x 7,7 x 13,1 cm
A: boy 3 (f) 6,3 x 7,7 x 14,8 cm
A: boy 4 (e) 6,3 x 7,2 x 14,9 cm
A: girl 1 (d) 6,5 x 7,7 x 12,5 cm
A: girl 2 (c) 6,5 x 7,7 x 13,1 cm
A: girl 3 (b) 6,5 x 7,7 x 13,3 cm
A: girl 4 (a) 6,5 x 7,7 x 13 cm
Media Category
Sculpture
Secondary Media Category
marble
Medium
Marble
Place Created
Italy
Credit Line
Purchased 1996. Queensland Art Gallery Foundation
Emiko Kasahara is one of a generation of Asian artists who advanced feminist positions in the wake of the belated recognition of women practitioners in the 1980s. During the 1990s, Kasahara’s imagery and materials played on cultural anxieties about human carnality and unfixed sexuality. This sculpture, crafted from gleaming marble the most delicate shade of pink, is based on the appearance of embryonic human genitalia at the crucial point at which sex is determined – the defining capacity for becoming either female or male, or both. Minute differences draw attention to the overt similarity of these ‘masculine’ and ‘feminine’ forms; the clitoral, vulval and penile appear more or less equivalent. Here, Kasahara subtly points to the tenuous foundation of the elaborate gender roles and social hierarchies that persist in contemporary culture.

Citations

Copy citation
Copy image caption

Rights information

© Emiko Kasahara

Re-use metadata

Catalogue data as JSON

Share

HELP UNLOCK THE COLLECTION

Bring more artworks to life with digital archives, immersive 3D experiences and stories about artists, their communities and practices.

Donate now!

Reproduction requests

Images of artworks on this website may be used for research, study and other related exceptions as defined by section 40 of the Copyright Act 1968 (as amended) without applying for specific permission. All other uses of the content of this site (where applicable).  Refer these requests to reproductions. For more information, see copyright and reproductions on the QAGOMA website.