
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Painting
The prodigal son c.1780-1840
UNKNOWN
International Art | Sculpture
Spinario cast late 19th century
after School of PASITELES
Asian Art | Print
Courtesans (reprint) unknown
after EISEN
Asian Art | Sculpture
Flying horse of Kansu cast 1973
after EASTERN HAN ARTIST
International Art | Sculpture
Bust of Niccolo da Uzzano unknown
after DONATELLO
International Art | Sculpture
Borghese warrior 19th century
after AGASIUS THE EPHESIAN
Pacific Art | Fibre
Jipai (mask) 2011
AFEX, Ben
International Art | Glass
Decanter c.1875-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
Contemporary Australian Art | Installation
Blackboards with pendulums 1992
KENNEDY, Peter
International Art | Drawing
Design
ADAM, Sicander
International Art | Metalwork
Tea urn c.1770-1800
ADAM STYLE
International Art | Ceramic
Long necked vase c.1900-50
ACOMO PUEBLO
Pacific Art | Photograph
'Te Waiherehere', Koroniti, Wanganui River, 29 May 1986 1986, printed 1997
ABERHART, Laurence
Pacific Art | Photograph
Nature morte (silence), Savage Club, Wanganui, 20 February 1986 1986, printed 1999
ABERHART, Laurence
Pacific Art | Photograph
Angel over Whangape Harbour, Northland, 6 May 1982 1982, printed 1991
ABERHART, Laurence
Australian Art | Drawing
A memory of Gumeracha (study of flies) 1908
HEYSEN, Hans
Pacific Art | Print
The boxer 2009
ABEL, Patrik
‘Horizons’ explores Queensland artist Joe Furlonger’s practice, from his early engagement with the human figure to his more recent creative compulsion to depict the Australian landscape.
Furlonger’s early years in semi-rural Samford, on the north-west outskirts of Brisbane, profoundly influenced his career as an artist by instilling in him a love of the outdoors. In 1970, at 17 years of age, he went to work as a deckhand on commercial fishing boats, periodically returning to that ocean-going life over the subsequent 15 years. It was out there — where sea meets land and sky, forming infinite horizons — that Furlonger first learned to think in paint.
Artist Joe Furlonger in his studio, Samford Valley, March 2022 / Photograph: Joe Ruckli, QAGOMA
After studying art in both Brisbane and Sydney, Furlonger’s figurative work received fresh inspiration in 1988 when he won a prestigious Moët & Chandon Fellowship and travelled to Europe. On returning to Australia, Furlonger based himself on Queensland’s Gold Coast. Soon after, he was invited to become the inaugural artist-in-residence at the 1992 Gold Coast Indy and relished his role as documenter and interpreter of the adrenaline-fuelled motor-racing event. Furlonger’s chance encounter with a travelling circus inspired more European travel and numerous visits to the Winter Circus in Paris, where he enjoyed the renewed challenge of its colour, light and theatrical figures in motion.
Influenced by his travels in South-East Asia and China, Furlonger’s land and seascapes have a deceptively naive quality, characterised by a combination of sketch-like impulsivity and painterly eloquence. In contrast to his figurative works, which come more intuitively, the landscape as subject has proven a greater challenge, necessitating the slow permeation of his consciousness, through much longer engagement, to capture its many moods.
At the heart of Joe Furlonger’s 40-year practice is his assured, spontaneous expression of observations, anchored by a keen engagement with the world around him. He is a restlessly creative artist whose talent for painting and drawing extends across works on paper, linen, canvas, ceramics and in bronze, and each is represented here.
Michael Hawker (Curator, Australian Art to 1980) curated ‘Joe Furlonger: Horizons’, a free exhibition held in QAG's Gallery 3 (Kenneth and Yasuko Myer Gallery) and 14 from 27 August 2022 to 29 January 2023. This Digital Story serves as a permanent archive, supporting the exhibition publication.
Visit the QAGOMA Store to buy the limited-edition exhibition catalogue Joe Furlonger: Horizons, published with the generous support of the Gordon Darling Foundation / Photograph: Joe Ruckli, QAGOMA