
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Painting
The prodigal son c.1780-1840
UNKNOWN
International Art | Sculpture
Spinario cast late 19th century
after School of PASITELES
Asian Art | Print
Courtesans (reprint) unknown
after EISEN
Asian Art | Sculpture
Flying horse of Kansu cast 1973
after EASTERN HAN ARTIST
International Art | Sculpture
Bust of Niccolo da Uzzano unknown
after DONATELLO
International Art | Sculpture
Borghese warrior 19th century
after AGASIUS THE EPHESIAN
Pacific Art | Fibre
Jipai (mask) 2011
AFEX, Ben
International Art | Glass
Decanter c.1875-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
Contemporary Australian Art | Installation
Blackboards with pendulums 1992
KENNEDY, Peter
International Art | Drawing
Design
ADAM, Sicander
International Art | Metalwork
Tea urn c.1770-1800
ADAM STYLE
International Art | Ceramic
Long necked vase c.1900-50
ACOMO PUEBLO
Pacific Art | Photograph
'Te Waiherehere', Koroniti, Wanganui River, 29 May 1986 1986, printed 1997
ABERHART, Laurence
Pacific Art | Photograph
Nature morte (silence), Savage Club, Wanganui, 20 February 1986 1986, printed 1999
ABERHART, Laurence
Pacific Art | Photograph
Angel over Whangape Harbour, Northland, 6 May 1982 1982, printed 1991
ABERHART, Laurence
Australian Art | Drawing
A memory of Gumeracha (study of flies) 1908
HEYSEN, Hans
Pacific Art | Print
The boxer 2009
ABEL, Patrik
La Belle Hollandaise (‘the beautiful Dutch woman’) was painted in 1905 when Picasso, invited by Tom Schilperoort — a young Dutch journalist living in Paris — spent the months of June and July in the Netherlands. He worked in the small towns of Schoorl and Schoorldam in Northern Holland, which at the time were generally unspoiled by modernisation and retained a lot of their traditional character. Some of the things that seem to have impressed Picasso were the picturesque houses, the windmills, and especially the local women and their traditional costumes.
In Holland, Picasso produced a number of landscape and figure drawings as well as three paintings, the most important being La Belle Hollandaise. These three works were painted on identically sized pieces of cardboard that the artist would have sourced in Holland, judging from his description of his quick preparation for the trip:
‘I had a knapsack,’ — here Picasso made the gesture of passing a strap over his shoulder — ‘and I put my colours into it. The brushes wouldn't fit at first, but I broke the handles, stuffed them in and off I went.’
Pablo Picasso / La Belle Hollandaise (verso) 1905 / Gouache, oil and chalk on cardboard laid down on wood / Purchased 1959 with funds donated by Major Harold de Vahl Rubin / © Succession Picasso/Copyright Agency
The cardboard support made the works particularly fragile and it was probably for that reason that, in later years, La Belle Hollandaise was mounted on a wooden panel. From a distance, the texture of La Belle Hollandaise is reminiscent of the faded, flat surface of an old fresco. Close examination, however, reveals a very sculptural treatment of the painting materials, with several areas covered by more than one layer of paint while others consist of just the surface of the board.
In La Belle Hollandaise, Picasso has used both the blue and pink tones from his ‘blue’ and ‘rose’ periods. The gentle mood of La Belle Hollandaise retains the serenity of his ‘rose’ period. The volumetric and geometrical approach to the figure, however, is a new development and foreshadows the artist’s cubist directions.
You can watch footage of the 1959 auction at which Queensland Art Gallery acquired this work, courtesy the Walter J Brown Media Archives.