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‘We Can Make Another Future’

A detail view of a work with a whitewashed background; the number 3 is very clear, and a number 8 is barely visible.

ESSAY: Miyajima’s Time landscape

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ESSAY: Toshio Shibata’s Onogami village, Gunma

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ESSAY: Tsuguo Yanai’s ‘Protoplasm’ lithographs

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ESSAY: Kimio Tsuchiya’s cycles of loss

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A photograph of a rural road in Japan, with a house seen at left and fields either side.

ESSAY: Asakai’s ‘Passage’ series

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A delicate, tiny sculpture of a white pillow, photographed with a white background.

ESSAY: Rei Naito

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ESSAY: Sato’s Breath-graph no. 21

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Shigeo Toya / Japan b.1947 / Woods III 1991–92 / The Kenneth and Yasuko Myer Collection of Contemporary Asian Art. Purchased 1994 with funds from The Myer Foundation and Michael Sidney Myer through the Queensland Art Gallery Foundation and with the assistance of the International Exhibitions Program / © Shigeo Toya / A sculptural work made of carved wooden pillars arranged in a geometric form on a gallery floor.

ESSAY: Shigeo Toya’s Woods III

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ESSAY: Lee Ufan’s Relatum

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A detail view of a painting of many tiny crescents on a cream background, appearing to represent foam, water or cells.

ESSAY: Yayoi Kusama's infinities

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