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Secondary Artwork

A detail view of a painting of many tiny crescents on a cream background, appearing to represent foam, water or cells.
LABEL

Yayoi Kusama: Infinity nets

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Feature image: An installation view of ‘Fine Lines’, QAG, March 2022 / Photograph: N Harth, QAGOMA
DIDACTIC

DIDACTIC: ‘Fine Lines’

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An installation view of two fanciful creatures made out of glass; one is half-car, half-carrot and the other is a tall bird standing on a burger.
DIDACTIC

‘Prism: Light, Colour, Form’

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A photo of an artist in her studio, surrounded by colourful artworks
INTERVIEW

Madeleine Kelly | Artist

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A mostly purple woven tapestry of strong geometeric shapes
ESSAY

Tungane Broadbent: Tivaevae for the Collection

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ESSAY

The brush of Yukinobu

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ESSAY

An enlarged view: Robert Walker's photographs of Ian Fairweather

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A very close-up photograph of the face and forelegs of a bee, with the bee in greyscale against a black background, like a photographic negative.
LABEL

Anne Noble: Dead Bee Portraits

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An installation view of black-and-white photographs installed on a dark gallery wall, with a person looking on
DIDACTIC

‘William Yang: Seeing and Being Seen’

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Works installed for ‘Balance 1990’, QAG, 1990 (scan from colour side, QAGOMA Library) / Photograph: Ray Fulton, QAGOMA
ESSAY

Balance 1990: Views, visions, influences

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Facing away from us, an artist creates blue silhouettes of a spade handle on a white gallery wall in Reckitt's Blue paint
INTERVIEW

d harding | Artist

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A photograph of a woman painting; she is wearing a blue sweater, and we are positioned behind her canvas.
INTERVIEW

Monica Rohan | Artist

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Three painted car bonnets are displayed on a white gallery wall, with visitors looking on
LABEL

Kayili car bonnets

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ESSAY

Two men dreaming: A Pintupi masterpiece

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Iris van Herpen / Netherlands b.1984 / Morphogenesis dress, from the ‘Sensory Seas’ collection 2020 / Lasercut screenprinting mesh, duchesse stain, lasercut Plexiglas / Collaborator: Philip Beesley / Collection: Iris van Herpen / Photograph: David Ụzọchukwu / © David Ụzọchukwu
DIDACTIC

‘Iris van Herpen: Sculpting the Senses’

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ARTIST STATEMENT

Marian Drew: Possum with five birds

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An artist wearing colourful overalls places oyster shells on a sculpture
INTERVIEW

Megan Cope | Artist

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ESSAY

Carol Jerrems: Photographs

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A candid photograph of five men (four seated, one standing) and a little girl in a gallery space.
INTERVIEW

Abdul Abdullah | Artist

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INTERVIEW

Callum McGrath | Artist

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Figure-narrative art

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ESSAY

Margaret Olley: A Generous Life

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Black-and-white photographs installed on a dark gallery wall, with two people looking on
LABEL

William Yang: ‘My uncle’s murder’

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An installation view of works installed on a white wall in a gallery space; there is one very large work at right that depicts a crucified Jesus, with other smaller works at left
ESSAY

Balance 1990: Foreword

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ESSAY

Penny Sharpe: (Boats on the Brisbane River)

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An installation view of a large watercolour depicting guns in various shades of green, installed in a dark gallery space
INTERVIEW

eX de Medici | Artist

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ESSAY

Kalu Ram: Tantric paintings

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Reality and Invention

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Legacies of socialist realism

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ESSAY

A legacy of works on paper: The Helen Dunoon Bequest

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