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Sophia Nampitjimpa Sambono

Associate Curator, Indigenous Australian Art, QAGOMA
 

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THOMPSON 2015.108 2015.109 2015.110

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Works by (l–r) Garry Namponan, Mick Namarari Tjapaltjarri, Craig Koomeeta and Jack Bell, installed at QAG for 'Great and Small', July 2025 / © The artists / Photograph: C Callistemon, QAGOMA
DIDACTIC

Three-dog night

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An installation view of paintings and ceramic pots installed in a bright gallery space
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Wrangled and ridden

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A detail view of a work depicting an abstracted goanna skin
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Good eating

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Totemic connections

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Two paintings installed on a white wall in a gallery space
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Creation beings

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An installation view of a sculpture of a saltwater crocodile, painted with ochre-red designs
GREAT AND SMALL

Introducing 'Great and Small'

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Irene Mbitjana Entata / Arrernte/Luritja people / Australia NT 1946–2014 / Albert and Rex painting (detail) 2003 / Purchased 2003. Queensland Art Gallery Foundation / © Irene Mbitjana Entata
GREAT AND SMALL

Kindred creatures: Great and small

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Earthenware pots by Irene Entata: Pot: Cows 2000; Pot: Reelpa (Drovers) 2002; Rubbing salts 2006; and Pot: Mission Days 2005 / © Irene Mbitjana Entata/Copyright Agency

Ingkwia Tjaiya, Lyaartinya Tjaiya (Old Way, New Way)

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HOBSON 2019.008.001-010

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COOK 2014.403 2014.404

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2010.191 WATSON

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Judy Watson's veiled imagery

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DIDACTIC

SNAP BLAK: Archive: Reply

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SNAP BLAK: Re-visioning History

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SNAP BLAK: Visualising Identity

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SNAP BLAK

Introducing 'Snap Blak'

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SNAP BLAK: Community POV

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NAOMI HOBSON: 'Adolescent Wonderland' series

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GRIEVES 2007.224

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SIWES 2003.133

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SIWES 2003.132

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ALBERT 2018.228a-e Warakurna

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A view of a sculptural work made out of glowing red forms, installed on a gallery wall
APT11

Darrell Sibosado

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An artwork made from nine ochre-coloured blankets installed on a white gallery wall
APT11

D Harding

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Two gallery visitors gaze at black-and-white woodcut works on a far gallery wall, with our view of the gallery itself obscured by woven sculptures in the foreground
APT11

Muhlis Lugis

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Oil paintings installed salon-style on a dark blue gallery wall, with a person looking on
APT11

Karla Dickens

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NAPALTJARRI 2005.256

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NAPANANGKA 2008.001

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A cropped version of the infrared artwork 'The far Country' 2022, depicting Barron Falls from an aerial perspective.
DANIE MELLOR: MARRU | THE UNSEEN VISIBLE

Themes in the exhibition

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