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Reuben Keehan

ESSAY: Kusama’s pumpkins and flowers

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Takashi Murakami

ESSAY: Murakami’s Mr DOB

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Ay-O’s ‘finger boxes’

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ESSAY: Kimio Tsuchiya’s cycles of loss

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ESSAY: Lee Ufan’s Relatum

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ESSAY: Nobuyoshi Araki’s photographs

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ESSAY: Teppei Kaneuji’s White discharge works

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ESSAY: Hiraki Sawa’s O

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Yoshizawa’s vibrant abstraction

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ESSAY: Mieko Shiomi: The world as a process

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ESSAY: Toshio Shibata’s Onogami village, Gunma

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ESSAY: Tsuguo Yanai’s ‘Protoplasm’ lithographs

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A photograph of a rural road in Japan, with a house seen at left and fields either side.

ESSAY: Asakai’s ‘Passage’ series

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A detail view of a painting of many tiny crescents on a cream background, appearing to represent foam, water or cells.
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Yayoi Kusama's infinities

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ESSAY: Ay-o’s spring pictures

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An installation view of a sculpture taking the form of a deer made of glass balls and beads.
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Kohei Nawa: PixCell-Double Deer#4

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An installation view of a bright gallery space, with a sculptural artwork taking the form of a van carrying a cobbled-on second level on top.

ESSAY: YNG’s Mobile Studio

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ESSAY: Moriyama’s distinctive photographs

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ESSAY: Sugimoto’s Hall of Thirty-Three Bays

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ESSAY: Sato’s Breath-graph no. 21

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EXPANDED LABEL: 1994.091a-dd TOYA

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ESSAY: Teraoka and contemporary ukiyo-e

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Yayoi Kusama / The obliteration room installed for APT4 (before activation)
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Kusama’s Obliteration room

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ESSAY: Teruya’s Notice – Forest

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ESSAY: Takahiko Iimura’s video experiments

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A detail view of a work with a whitewashed background; the number 3 is very clear, and a number 8 is barely visible.

ESSAY: Miyajima’s Time landscape

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A delicate, tiny sculpture of a white pillow, photographed with a white background.

ESSAY: Rei Naito

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EXPANDED LABEL: Nakamura’s ‘Atlas of Japanese Ostracon’ series

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EXPANDED LABEL: 2014.122a-h ASAKAI

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EXPANDED LABEL: 1991.296 SATO

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