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Reuben Keehan

ESSAY: Mieko Shiomi: The world as a process

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Ay-O’s ‘finger boxes’

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ESSAY: Sugimoto’s Hall of Thirty-Three Bays

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A detail view of a work with a whitewashed background; the number 3 is very clear, and a number 8 is barely visible.

ESSAY: Miyajima’s Time landscape

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ESSAY: Toshio Shibata’s Onogami village, Gunma

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ESSAY: Tsuguo Yanai’s ‘Protoplasm’ lithographs

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ESSAY: Kimio Tsuchiya’s cycles of loss

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A photograph of a rural road in Japan, with a house seen at left and fields either side.

ESSAY: Asakai’s ‘Passage’ series

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A delicate, tiny sculpture of a white pillow, photographed with a white background.

ESSAY: Rei Naito

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ESSAY: Sato’s Breath-graph no. 21

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ESSAY: Lee Ufan’s Relatum

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A detail view of a painting of many tiny crescents on a cream background, appearing to represent foam, water or cells.
ESSAY

Yayoi Kusama's infinities

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EXPANDED LABEL: Nakamura’s ‘Atlas of Japanese Ostracon’ series

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EXPANDED LABEL: 2014.122a-h ASAKAI

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EXPANDED LABEL: 1991.296 SATO

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EXPANDED LABEL: 1994.091a-dd TOYA

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EXPANDED LABEL: 2022.049a-m SHIOTA

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An installation view of a work that fills a whole room; at the centre, a desk and empty chair have thousands of papers appearing to fly off of them in a spiral. Suspended around this scene is a web of black threads.
A QUESTION OF PERSPECTIVE

The presence of absence

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An installation inside a bright gallery space with a glass ceiling.
APT9

South Korea and Japan

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A person with short hair and wearing futuristic clothes faces away from the camera and points towards a lake.
APT10

ESSAY: Navigating new futures

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AI Weiwei, Pillar through round table

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LABEL

Brenda Fajardo: ‘Cards of life – Women’s series’

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NAIR, Surendran, Trainees at the school of necromancing 1; The speaking tree; Trainees at the school of necromancing 2

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ANUSAPATI, The journey no. 4 & Object no. 6

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GILL, Simryn, Pooja/Loot

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NESHAT, Shirin, From the 'Women of Allah' series

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CABRERA, Ben, Escape artist I & Escape artist II

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HARSHA, N.S., We come, we eat and we sleep

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NGUYEN, Xuan Tiep, Song of the buffalo boys II

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ESSAY

Wang Jin: Robe 1999

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