
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Painting
The prodigal son c.1780-1840
UNKNOWN
International Art | Sculpture
Spinario cast late 19th century
after School of PASITELES
Asian Art | Print
Courtesans (reprint) unknown
after EISEN
Asian Art | Sculpture
Flying horse of Kansu cast 1973
after EASTERN HAN ARTIST
International Art | Sculpture
Bust of Niccolo da Uzzano unknown
after DONATELLO
International Art | Sculpture
Borghese warrior 19th century
after AGASIUS THE EPHESIAN
Pacific Art | Fibre
Jipai (mask) 2011
AFEX, Ben
International Art | Glass
Decanter c.1875-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
Contemporary Australian Art | Installation
Blackboards with pendulums 1992
KENNEDY, Peter
International Art | Drawing
Design
ADAM, Sicander
International Art | Metalwork
Tea urn c.1770-1800
ADAM STYLE
International Art | Ceramic
Long necked vase c.1900-50
ACOMO PUEBLO
Pacific Art | Photograph
'Te Waiherehere', Koroniti, Wanganui River, 29 May 1986 1986, printed 1997
ABERHART, Laurence
Pacific Art | Photograph
Nature morte (silence), Savage Club, Wanganui, 20 February 1986 1986, printed 1999
ABERHART, Laurence
Pacific Art | Photograph
Angel over Whangape Harbour, Northland, 6 May 1982 1982, printed 1991
ABERHART, Laurence
Australian Art | Drawing
A memory of Gumeracha (study of flies) 1908
HEYSEN, Hans
Pacific Art | Print
The boxer 2009
ABEL, Patrik
As part of QAGOMA’s Digital Transformation Initiative, the Gallery’s photography team often collaborates with conservators, coders and designers in its quest to make the Collection available to everyone. Recently, Nicholas Umek (Senior Photographer) and team worked with Thomas Renn (Motion Designer), using photogrammetry to create a 3D model of Fred Embrey’s century-old figurative sculpture — one of only three known works in its genre.
Photogrammetry is a process of creating a 3D model by taking 100s of photos of an object, from all angles, and using software to combine these into a digital replica. Innovations like this are made possible at QAGOMA through the support of donors to the Unlock the Collection campaign.
Feature image: Collection Online Photographer Mark Sherwood prepares Fred Embrey's Djan’djari figure c.1930 for photogrammetric capture, QAGOMA, January 2024 / Purchased 2020 with funds from the Mather Foundation through the Queensland Art Gallery | Gallery of Modern Art Foundation / Photograph: N Umek, QAGOMA
Thomas Renn: Photogrammetry is a process of creating a 3D model by taking a lot of photos of the subject, typically working in rings around it. We use software to identify points of interest — say, an interesting little scratch — and cross-reference that scratch across all the different photos. By seeing how much this point of interest moves relative to other points in each photo, we can guess its 3D position. This happens over and over again, from all angles and orientations, until we create a little cloud of points in space. We can use these to build a 3D geometric mesh — ideally, a perfect replica of an object in 3D space.
Nicholas Umek: It’s a bit like papier-mâché, really, except we’re using images to clad this hollow geometry. It’s almost like an animal pelt that we’re cladding over a sort of weird digital taxidermy . . . [READ MORE]