
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Painting
The prodigal son c.1780-1840
UNKNOWN
International Art | Sculpture
Spinario cast late 19th century
after School of PASITELES
Asian Art | Print
Courtesans (reprint) unknown
after EISEN
Asian Art | Sculpture
Flying horse of Kansu cast 1973
after EASTERN HAN ARTIST
International Art | Sculpture
Bust of Niccolo da Uzzano unknown
after DONATELLO
International Art | Sculpture
Borghese warrior 19th century
after AGASIUS THE EPHESIAN
Pacific Art | Fibre
Jipai (mask) 2011
AFEX, Ben
International Art | Glass
Decanter c.1875-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
Contemporary Australian Art | Installation
Blackboards with pendulums 1992
KENNEDY, Peter
International Art | Drawing
Design
ADAM, Sicander
International Art | Metalwork
Tea urn c.1770-1800
ADAM STYLE
International Art | Ceramic
Long necked vase c.1900-50
ACOMO PUEBLO
Pacific Art | Photograph
'Te Waiherehere', Koroniti, Wanganui River, 29 May 1986 1986, printed 1997
ABERHART, Laurence
Pacific Art | Photograph
Nature morte (silence), Savage Club, Wanganui, 20 February 1986 1986, printed 1999
ABERHART, Laurence
Pacific Art | Photograph
Angel over Whangape Harbour, Northland, 6 May 1982 1982, printed 1991
ABERHART, Laurence
Australian Art | Drawing
A memory of Gumeracha (study of flies) 1908
HEYSEN, Hans
Pacific Art | Print
The boxer 2009
ABEL, Patrik
This excerpt is drawn from Asia Pacific Art Papers: 'The birth of the APT' (QAGOMA, 2021)
In acknowledgment of the 10th iteration of the Asia Pacific Triennial of Contemporary Art (APT), QAG’s former director Doug Hall AM reflects on the challenging circumstances that led to this groundbreaking exhibition series that has gained an international reputation.
The circumstances of how and why ‘The 1st Asia Pacific Triennial of Contemporary Art’ (APT1) was conceived, developed and realised is an account that is not simply about a cultural project. It is not possible to consider the APT without understanding the historical and unique circumstances of the Queensland Art Gallery that created it. Further, it is not a mirror of any other history you might find in Australia’s major public-funded state and national institutions.
It is a story interwoven with politics and rejuvenation . . . [READ MORE]
Feature image: Dadang Chistanto / Indonesia b.1957 / For those: Who are poor, Who are suffer(ing), Who are oppressed, Who are voiceless, Who are powerless, Who are burdened, Who are victims of violence, Who are victims of a dupe, Who are victims of injustice (performance still) 1993 / The Kenneth and Yasuko Myer Collection of Contemporary Asian Art. Purchased 1993 with funds from The Myer Foundation and Michael Simcha Baevski through the Queensland Art Gallery / © Dadang Chistanto / Photograph: QAGOMA