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Indigenous Australian art

ESSAY: Danie Mellor's Whether you like it or not

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Subdued yet vibrant pastel toned watercolour of the Australian outback

ESSAY: The Hermannsburg School of Painting

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A work created with blue pastel in pencil representing a forest in two panels; the left panel is coloured in a deeper blue than the right, which appears as more of a sketch.
APT8

Danie Mellor

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A bright watercolour painting of a landscape in Central Australia, with yellows, pinks, greens and blues.
THE HERMANNSBURG SCHOOL

Namatjira and the Hermannsburg School

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A watercolour painting of a Central Australian landscape.
THE HERMANNSBURG SCHOOL

QAGOMA COLLECTION: Hermannsburg painters

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Three earthenware pots by with eagles and owls painted on them.
THE HERMANNSBURG SCHOOL

QAGOMA COLLECTION: Hermannsburg Potters

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A black-and-white photograph of a fish which lies on grass or hay.
TRANSITIONS

Michael Riley: Sacrifice and cloud (portfolio)

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A work of concentric ovals in natural pigments on eucalyptus bark by Deaf Tommy Mungatopi (detail view)
TRANSITIONS

Transitions

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Dot painting on Toyota HiLux car bonnet
TRANSITIONS

Transitions Now

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An installation view of a sculptural work made with fluorescent light tubes
TRANSITIONS

A material sense

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ESSAY

Wunjayi (Today): Sonja and Elisa Jane Carmichael

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A photograph of QAGOMA's Collection of ku' (camp dog) sculptures
ESSAY

Ku’ (camp dogs)

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ESSAY: Wawiriya BURTON and Nellie Ngampa COULTHARD

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LABEL: 1995.153 TJAPALTJARRI

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EXPANDED LABEL: VARIOUS (GABORI | Makarrki – King Alfred's Country) 2009.195

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EXPANDED LABEL: GABORI 2008.220

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ESSAY

Irene Entata: Three Ceramic Pots

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LABEL

2008.394 MOORE

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A detail view of an abstract painting made with black and white paints.
ESSAY

Sally Gabori: Dibirdibi Country 2012

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ESSAY

Rex Warrimou: Our Creation (Omie)

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ESSAY

Kunmanara (Nellie) Stewart’s Punu wara

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An installation view of a work of public art photographed on a sunny day; it takes the form of a large fishing net, cast in bronze, and it is set in front of GOMA, near the grass. It casts a net-like shadow on the concrete.
ESSAY

Judy Watson’s tow row

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ESSAY: Daniel Boyd’s Untitled (HNDFWMIAFN) 2017

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A detail view of a painting by Vincent Namatjira of himself and his grandfather Albert side-by-side.

ESSAY: Namatjira's Albert and Vincent 2014

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Feature image: Installation view of ‘I, Object’, featuring fighting clubs c.1900, GOMA, August 2019 / Collection: QAGOMA / © The artists / Photograph: N Harth, QAGOMA

ESSAY: Fighting clubs

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ESSAY

Watkin’s The Queen & I

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ESSAY: Vernon Ah Kee’s family portraits

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