
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Sculpture
Satyr with wineskin cast 19th century
after UNKNOWN ROMAN
International Art | Painting
The prodigal son c.1780-1840
UNKNOWN
International Art | Sculpture
Spinario cast late 19th century
after School of PASITELES
Asian Art | Print
Courtesans (reprint) unknown
after EISEN
Asian Art | Sculpture
Flying horse of Kansu cast 1973
after EASTERN HAN ARTIST
International Art | Sculpture
Bust of Niccolo da Uzzano unknown
after DONATELLO
International Art | Sculpture
Borghese warrior 19th century
after AGASIUS THE EPHESIAN
Pacific Art | Fibre
Jipai (mask) 2011
AFEX, Ben
International Art | Glass
Decanter c.1875-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
International Art | Glass
Vase c.1880-1900
AESTHETIC STYLE
Contemporary Australian Art | Installation
Blackboards with pendulums 1992
KENNEDY, Peter
International Art | Drawing
Design
ADAM, Sicander
International Art | Metalwork
Tea urn c.1770-1800
ADAM STYLE
International Art | Ceramic
Long necked vase c.1900-50
ACOMO PUEBLO
Pacific Art | Photograph
'Te Waiherehere', Koroniti, Wanganui River, 29 May 1986 1986, printed 1997
ABERHART, Laurence
Pacific Art | Photograph
Nature morte (silence), Savage Club, Wanganui, 20 February 1986 1986, printed 1999
ABERHART, Laurence
Pacific Art | Photograph
Angel over Whangape Harbour, Northland, 6 May 1982 1982, printed 1991
ABERHART, Laurence
Australian Art | Drawing
A memory of Gumeracha (study of flies) 1908
HEYSEN, Hans
Pacific Art | Print
The boxer 2009
ABEL, Patrik
‘Gone Fishing’
From inland freshwater regions to the ocean and islands of the Torres Strait, there are many specifically engineered tools and methods for catching a feed. These multifunctional objects are represented through cultural objects, paintings, sculptures and installation. The artworks here speak to the practical nature of fishing and include a range of spears, canoes and nets.
An installation of woven fish traps from the Maningrida region (Arnhem Land, Northern Territory) demonstrates regionally specific techniques that were perfected by hundreds of generations of the artists’ ancestors, bespoke to each environment and species of food source. Here, they are also celebrated as uniquely modelled forms of aesthetic beauty.
Installation view including five pandanus works: Fish trap 2004 and Fish trap 2004 (Sally Garrimarra / Ganalbingu people / Australia, b.1967 / Purchased 2004. Queensland Art Gallery Foundation / © Sally Garrimarra/Copyright Agency) and Shirley Malgarrich’s (Burarra/Anbarra peoples / Australia b.1947) Jina-bakara (fish trap) 2004 (Purchased 2004. Queensland Art Gallery Foundation / © Shirley Malgarrich), Fish trap 2004 and Fish trap 2004 (Purchased 2004. The Queensland Government's special Centenary Fund / © Shirley Malgarrich) / All works Collection: Queensland Art Gallery | Gallery of Modern Art / Photograph: Natasha Harth, QAGOMA
Sculptural fish and yabbie traps by Mandandanji artist Laurie Nilsen cleverly use discarded materials to create functional devices. Upcycled pedestal fans, chicken wire and even Sunlight soap were, according to the artist, all you needed to catch a feed — before the traps themselves became congested with more debris than food. Here, Nilsen has invoked images of a disposable lifestyle, overrun with plastic and endangering the natural environment.
These diverse sculptural works are complemented with paintings by senior artist Regina Pilawuk Wilson, who meticulously charts the geometric forms of woven netting onto canvas, illustrating delicate and geometric perspectives to these sturdy objects.