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Reuben Keehan

Shigeo Toya’s Woods III 1991–92, installed for ‘Inscriptions and Excavations’, GOMA, March 2024 / © Shigeo Toya / Photograph: C Callistemon, QAGOMA

DIDACTIC: Woods III: Inscriptions and Excavations

APAP: From 'Japanese art' to 'art in Japan'

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ESSAY: Kazama’s Nonhuman crossing

ESSAY: Chim↑Pom

ESSAY: Koizumi’s Double projection

An installation view of a sculpture in the form of a bamboo temple suspended from the ceiling in a gallery space, with onlookers behind.

ESSAY: Iwasaki’s Reflection Model (Perfect Bliss)

ESSAY: Yoneda’s ‘Scenes’

A detail view of a work of art with a small gold flower symbol on a black background.

ESSAY: Yanagi’s Hinomaru (Rising sun)

ESSAY: Tadasu Takamine’s Baby Insa-dong

ESSAY: Nguyen-Hatsushiba’s ‘Memorial Projects’

ESSAY: Ozawa’s ‘Vegetable weapons’

ESSAYS: Morimura’s alter-egos

ESSAY: Kashiki’s fluid compositions

ESSAY: Michiko Kon’s unsettling photographs

ESSAY: Kusama’s pumpkins and flowers

ESSAY: Nobuyoshi Araki’s photographs

ESSAY: Ay-o’s spring pictures

ESSAY: Teraoka and contemporary ukiyo-e

Yayoi Kusama / The obliteration room installed for APT4 (before activation)

ESSAY: Kusama’s Obliteration room

ESSAY: Teppei Kaneuji’s White discharge works

An installation view of a sculpture taking the form of a deer made of glass balls and beads.

ESSAY: Kohei Nawa’s PixCell-Double Deer#4

ESSAY: Hiraki Sawa’s O

ESSAY: Teruya’s Notice – Forest

An installation view of a bright gallery space, with a sculptural artwork taking the form of a van carrying a cobbled-on second level on top.

ESSAY: YNG’s Mobile Studio

Takashi Murakami

ESSAY: Murakami’s Mr DOB

ESSAY: Yoshizawa’s vibrant abstraction

ESSAY: Moriyama’s distinctive photographs

ESSAY: Takahiko Iimura’s video experiments

ESSAY: Mieko Shiomi: The world as a process

Ay-O’s ‘finger boxes’