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Secondary Artwork
ESSAY

Angela Tiatia

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LABEL

Hamish Fulton: ‘Ten toes towards the rainbow’

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BIOGRAPHY

Paula Rosenstengel

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DIDACTIC

Dialogue and exchange

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ESSAY: Kazama’s Nonhuman crossing

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ESSAY: Chim↑Pom

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ESSAY: Koizumi’s Double projection

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ESSAY: Tadasu Takamine’s Baby Insa-dong

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ESSAY: 18th-century English portraiture

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A colourful scene, with a boat-like circus with many faces facing forward
ESSAY

Elisabet Kauage: Kiapten Kuk Ship

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LABEL: Takahashi Hiroaki’s woodblock prints

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BIOGRAPHY

Penny Sharpe

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An installation view of a very large oil painting in a gold-gilded frame, with a smaller work displayed on either side, on a light blue gallery wall.
DIDACTIC

Power, wealth and faith

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BIOGRAPHY

CGS Hirst

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ESSAY: Yoneda’s ‘Scenes’

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ESSAY: Ozawa’s ‘Vegetable weapons’

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Two yellow finches perch on a coathanger in a gallery space
DIDACTIC

Sugar Spin: You, Me, Art and Everything

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ESSAY: Fiona Pardington

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LABEL: 2004.059 2002.118a-b KOOMEETA

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Many parallel stripes of etched colours and patterns with very earthy colours

LABEL: The ‘Duyfken’ portfolio

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Six Old Kilns

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A detail view of a work of art with a small gold flower symbol on a black background.

ESSAY: Yanagi’s Hinomaru (Rising sun)

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ESSAYS: Morimura’s alter-egos

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Shigeo Toya’s Woods III 1991–92, installed for ‘Inscriptions and Excavations’, GOMA, March 2024 / © Shigeo Toya / Photograph: C Callistemon, QAGOMA

DIDACTIC: Woods III: Inscriptions and Excavations

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LABEL

Judy Watson’s ‘the holes in the land’ series

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VISIT: International collection

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A decorated pearlshell pendant on a weaved string loop

LABEL: Aubrey Tigan’s Riji (pearlshell pendants)

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René Lalique: Glass vases

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ESSAY: Nguyen-Hatsushiba’s ‘Memorial Projects’

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ESSAY: Kashiki’s fluid compositions

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