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Secondary Artwork
ESSAY

Gole's Water storage pots

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LEE Mingwei; Writing the unspoken

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ESSAY

Montien Boonma: Black altar

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ESSAY

Martin Creed: Work no. 189

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ESSAY: GILL, Simryn; Dalam

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A detail view of an abstract painting made with black and white paints.
ESSAY

Sally Gabori: Dibirdibi Country 2012

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An installation view of a sculptural work that spells out the word 'DISPERSED'
ESSAY

Fiona Foley’s DISPERSED

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ESSAY: Tiatia’s Edging and seaming

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Chinese glass paintings

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OLLEY, Margaret; The banana cutters

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ESSAY: Kihara's '(Where do we come from? What are we? Where are we going?)'

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MATTA-CLARK, Gordon; Office Baroque

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ESSAY

Picasso: ‘La Suite des Saltimbanques’

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A man painted yellow, from head to toe, walks the streets of Brisbane, carrying a heart.
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Lee Wen: Journey of a yellow man

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HARRIS, Brent; Station X (The disrobing)

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KOIZUMI, Meiro; Double projection #1 (Where the Silence Fails)

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Three peculiar sculptures made from plastic bottles and other 'found' components installed on a white gallery wall
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Romuald Hazoumé

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ESSAY: Deborah Kelly’s Beastliness

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ESSAY: Creating and collecting art for kids

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ESSAY: Michiko Kon: High heel of salmon and flatfish

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ESSAY

Sopheap Pich's '1979' series

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ESSAY: LE, Dinh Q.; The farmers and the helicopters

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A photograph of an artist during a performance; wearing body paint, he crouches in the orange light of a gallery space.
ESSAY

Dadang Christanto: For those: Who are poor, Who are suffer(ing)...

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ANDREW, Brook; TIME I

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Ben Quilty: Sergeant P, after Afghanistan 2012

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ESSAY

Angelica Mesiti: Citizens Band

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UNKNOWN; Japanese ambrotypes

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Feature image: Installation view of ‘I, Object’, featuring fighting clubs c.1900, GOMA, August 2019 / Collection: QAGOMA / © The artists / Photograph: N Harth, QAGOMA

ESSAY: Fighting clubs

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ESSAY: Vernon Ah Kee’s family portraits

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