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Artlines

A legacy of works on paper: The Helen Dunoon Bequest

An enlarged view: Robert Walker's photographs of Ian Fairweather

ESSAY: Landspaces: Works by Danie Mellor

ESSAY: Lino de duelo (Lino in mourning) c.1932

The oldest living stories: A conversation with Robert Bleakley

An installation view of a large charcoal drawing of a face on a white-grey background, with a visitor looking on.

Courage and beauty: The James C. Sourris AM Collection

ESSAY: Archie Oclos: Immigrants of own nation 2021

© Warraba Weatherall

ESSAY: Warraba Weatherall: To know and possess 2021

Installation view of a dark gallery space, with two visitors viewing an artwork depicting a sparkling skull.

ESSAY: Anything but still

ESSAY: Art Nouveau jewellery in the Collection

An installation view of a gallery space; photographs hang on a green wall, while orange fabric works are installed on a white wall in the background.

Hey Sis: 'sis: Pacific Art 1980–2023'

ESSAY: Natee Utarit's 'Déjà vu' series

ESSAY: New works for 'North by North-West'

ESSAY: A vanishing art: J.D. ‘Okhai Ojeikere's ‘Hairstyles’

A photograph of a skull made of brown sugar.

ESSAY: Bitter sweet

ESSAY: A sculptural response Picasso's Vollard Suite

A detail view of an oil painting in which a trio of people in Edwardian dress sit under a jacaranda tree in full bloom.

ESSAY: Rivers's Under the jacaranda

Sepia toned photograph of cloudy dark sky

Michael Riley: An allegory of sacrifice

ESSAY: Stewart McFarlane's enigmatic images

ESSAY: Martin Smith: Fix it up 2010

ESSAY: Four-fold screen: Trading ship of the Dutch East India Company in Nagasaki Bay

ESSAY: Nagasaki-e and Kaika-e: Japanese woodblock prints

ESSAY: Timo Hogan’s Lake Baker

ESSAY: The Shahnameh – Persian miniatures

ESSAY: Hew Locke: Horseman of the apocalypse

An installation view of a large work composed of many smaller drawings and collages on a white gallery wall, with three seated visitors looking on.

BOSS DROVERS

ESSAY: MacPherson’s BOSS DROVERS

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An installation view in a dark room with gallery walls painted black; an empty gold frame on the wall, in the centre of the photo, frames the darkness; beneath it, a rifle is displayed in a glass cabinet.

ESSAY: ‘Plenty’

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A pink abstract Euclidean design on a black background (detail)

LIVING PATTERNS

ABSTRACT CINEMA: Colour Box

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In the foreground of this photo is a detail view of a marble sculpture; in the background, a woman wearing a white blouse looks at the sculpture.

ESSAY: Anna Schwartz on Elenberg’s Totem

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ESSAY: ‘TONY ALBERT: Visible’